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EMIKA © Adam Krena
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

A Conversation With Emika: A Neo-Classical Creative Force to be Reckoned With

by Josh Weiner
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

Feature: Donna Missal Lights a Cathartic Blaze with ‘Lighter’

by Anthony Kozlowski
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

On Happiness and Humanness: A Conversation With Joy Oladokun

by Lowndes Commander
Features, Interviews, MusicJuly 16, 2020<July 16, 2020

Interview: Brasstracks on Collaboration and Their ‘Golden Ticket’

by Mariel Fechik
The Clockworks © Oscar Ryan Photography
Columns, Music, Today's SongJuly 16, 2020<July 11, 2020

The Clockworks Merge Past, Future, & Reality on Hard Hitting “The Future Is Not What It Was”

by Oliver Crook
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 16, 2020<July 16, 2020

Breaking the Record with Roan Yellowthorn, Part 23: Working From the Basement

by Guest Writer
beabadoobee © 2020
Music, This Just InJuly 15, 2020<July 16, 2020

This Just In: Beabadoobee Unveils Her Vulnerability in “Care”

by Alicia Bugallo
Sebastian Paul © Alden Bone Cutter
Features, Interviews, MusicJuly 15, 2020<July 15, 2020

Interview with Sebastian Paul: Always on the Road, Always Experimenting Stylistically

by Josh Weiner
Tedadore © Chris Chaput
Debut, Music, PremieresJuly 15, 2020<July 10, 2020

Premiere: Nashville’s Tedadore Debuts with the Fun, Sweet, & Restlessly Relatable “Cooped Up”

by Mitch Mosk
Kiol © 2020
Music, PremieresJuly 15, 2020<July 11, 2020

Premiere: Kiol’s Summer Single Is Unbridled Sun-Soaked “Joy”

by Mitch Mosk
Columns, Music, Today's SongJuly 15, 2020<July 15, 2020

Today’s Song: A Dazzling Collision of Two Worlds on Ginger Root’s “Out of State”

by Adrian Vargas
Music, ReviewsJuly 14, 2020<July 14, 2020

Review: ‘Heaven To A Tortured Mind’ Proves to Be Yves Tumor’s Magnum Opus

by Ben Niesen
SUAD © Riku Pihlanto
Music, Music Videos, PremieresJuly 14, 2020<July 10, 2020

Premiere: SUAD Opens “The Door” with an Enchanting Vision of Hope & Inner Strength

by Mitch Mosk
Sad Alex © Alex Stone
Columns, Music, Today's SongJuly 14, 2020<July 11, 2020

Sad Alex’s All Too Relatable Experience Portrayed in “Stockholm’s a Ghost Town”

by Kelsey Fitzgerald
Amy Shark © Nicol Biesek
Features, Interviews, MusicJuly 14, 2020<July 9, 2020

Interview: Amy Shark’s Spirited “Everybody Rise” Is a Rousing Anthem for 2020 Action

by Mitch Mosk
Posts pagination
1 … 405 406 407 408 409 … 729

Brand New

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told
  • The Sound of Stillness: Samara Joy in Palo Alto
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026

:: discover something new ::

Recent Posts

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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