• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Pixies © 1980s
Columns, Music, Nostalgia TracksMay 14, 2020<May 14, 2020

Nostalgia Tracks: Riding Pixies’ “Wave of Mutilation” for a Summer, 20 Years Later

by Jonny Shapiro
Jacqueline Hackett © 2020
Interviews, MusicMay 14, 2020<May 13, 2020

Interview: Jacqueline Hackett Spills Her Soul on Stunning Debut “Chocolate Milk”

by Lexi Lane
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 14, 2020<May 14, 2020

Breaking the Record with Roan Yellowthorn, Part 15: Speaking the Truth

by Guest Writer
Similar Kind © Ash Freundner
Columns, Music, Today's SongMay 14, 2020<May 14, 2020

Today’s Song: Norwalk’s Similar Kind Shimmer on New Single “Maria”

by Lowndes Commander
Finn Matthews ©
Columns, Music, Today's SongMay 13, 2020<May 13, 2020

Today’s Song: Finn Matthews Drops Dreamy Pop Single, “Into the Open”

by Kelly McCafferty Dorogy
Henry Jamison © Tourism
Features, Interviews, MusicMay 13, 2020<August 23, 2020

Feature: The Isolation & Collaboration of Henry Jamison’s Breathtakingly Beautiful ‘Tourism’ EP

by Mitch Mosk
Me & The Monster
Music, Music Videos, PremieresMay 13, 2020<May 13, 2020

Premiere: Me & The Monster’s Haunting “The Shadow” Arrests Us Inside & Out

by Mitch Mosk
SUNFLOWER © Josette Althaus
Debut, Music, PremieresMay 13, 2020<November 27, 2020

Premiere: Find Yourself Undone in SUNFLOWER’s Carefree Debut Single “Better Days”

by Erica Danielle Garcia
Jess Williamson © Kathryn Vetter Miller
Features, Interviews, MusicMay 13, 2020<May 15, 2020

Interview with Jess Williamson: The Beauty of Going Through Life Alone

by Baylee Less
Onsen © Chris Coats
Music, ReviewsMay 13, 2020<May 13, 2020

Review: Onsen’s Aching “Be There” Is a Song of Isolation & Longing

by Mitch Mosk
WILSN © Jack Stafford
Music, PremieresMay 12, 2020<May 12, 2020

Premiere: WILSN Soars with Hope in Anthemic & Aching Single “Deep in It”

by Mitch Mosk
KENICHI & THE SUN © Antje Taiga Jandrig
Interviews, MusicMay 12, 2020<May 12, 2020

Interview: Kenichi & The Sun Unveils Her Hauntingly Introspective Album ‘White Fire’

by Chloe Robinson
Daði Freyr © 2020
Features, Interviews, MusicMay 12, 2020<May 12, 2020

Interview with Daði Freyr: Spreading Positive Vibes & Making People Dance

by Maggie McHale
Music, PremieresMay 12, 2020<May 12, 2020

Premiere: Stephanie Lambring’s Piercing Single “Little White Lie”

by Mariel Fechik
Full Colour © 2020
Music, ReviewsMay 12, 2020<May 12, 2020

Review: Full Colour Accept That “Times Change” in Anthemic New Single

by Bethan Harper
Posts pagination
1 … 405 406 407 408 409 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services