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Waiting for Smith © Naomie Laan
Interviews, MusicApril 29, 2020<April 29, 2020

Interview: Waiting for Smith Bears a Reassuring Message in “Long Life”

by Joe Beer
Surya Sen
Debut, Music, ReviewsApril 29, 2020<April 29, 2020

Review: North London’s Surya Sen Releases Unique Debut Single “C U Later”

by Guest Writer
Interviews, MusicApril 29, 2020<April 29, 2020

Interview: Grammy-Nominated Singer-Songwriter Seth Glier Opens up About Latest Single “Til Further Notice”

by Chloe Robinson
someone anyone
Music, PremieresApril 29, 2020<April 29, 2020

Premiere: Someone Anyone’s New Song “Vices” Aches with Raw Grief, Tenderness, Feverish Fury

by Mitch Mosk
BEGINNERS © 2020
Music, Music Videos, PremieresApril 29, 2020<April 28, 2020

Premiere: LA’s BEGINNERS Seek Connections, but “Trust No One”

by Maggie McHale
Genevieve Stokes © Abbie Pitre
Columns, Features, Interviews, Music, Today's SongApril 29, 2020<April 28, 2020

Interview: Genevieve Stokes on Creating Distance, Staying Dreamy, and “Running Away”

by Erica Danielle Garcia
The Bergamot © 2020
Features, Music, Reviews, Track-by-TrackApril 28, 2020<April 28, 2020

Track-by-Track: The Bergamot Dive into the Depths of ‘Mayflies’, an Album Full of Passion, Space, & Depth

by Mitch Mosk
Kevin Garrett © 2020
Features, Interviews, MusicApril 28, 2020<April 28, 2020

Interview with Kevin Garrett: Songwriting as a Form of Confrontational Expression

by Luke Pettican
Seafret © Kris Kesiak
Features, Interviews, MusicApril 28, 2020<April 28, 2020

Feature: Seafret’s Sophomore Album ‘Most of Us Are Strangers’ Connects Us in a Disconnected World

by Ilana Kalish
teepee © David Broda
Music, Music Videos, PremieresApril 28, 2020<April 28, 2020

Premiere: teepee’s Breathtaking “hazel trees” Video Is a Cinematic, Hopeful, & Awe-Inspiring Spectacle

by Mitch Mosk
Night Flight © 2020
Features, Music, Reviews, Track-by-TrackApril 27, 2020<April 28, 2020

Feature: London’s Night Flight Soar with Majestic Energy in ‘White Noise’ EP

by Mitch Mosk
Dror © 2020
Music, Music Videos, PremieresApril 27, 2020<April 29, 2020

Premiere: Dror’s Western Dream Chase “Bloodline”

by Kelly McCafferty Dorogy
East Coast Blonde © 2020
Music, ReviewsApril 27, 2020<April 27, 2020

Artist to Watch: Chicago’s East Coast Blonde Enter the Scene with a Striking Sound

by Coco Rich
Day Wave © Daniel Topete
Features, Interviews, MusicApril 27, 2020<April 27, 2020

Interview: Day Wave Is Starting Again with New EP ‘Crush’

by Lowndes Commander
JXST J © Roman Koval
Columns, Debut, Music, Today's SongApril 27, 2020<April 26, 2020

JXST J Takes Us to the Tropics with Debut Single & Cheeky Video “Like U Used 2”

by Kelsey Fitzgerald
Posts pagination
1 … 410 411 412 413 414 … 712

Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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