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Ryann © Clyde Munroe
Music, PremieresJuly 24, 2020<July 24, 2020

Premiere: Ryann’s Aching “One Minute” Is a Dazzling, Poignant Post-Breakup Hit

by Mitch Mosk
Nana Adjoa © Latoya van der Meeren
Features, Interviews, MusicJuly 24, 2020<July 23, 2020

Interview: Amsterdam’s Nana Adjoa Embodies Inner Strength & Resolve in Stirring New Music

by Mitch Mosk
Recover - The Naked and Famous
Features, Interviews, MusicJuly 23, 2020<July 23, 2020

Interview: The Naked and Famous Talk Healing & Growing on Latest Album ‘Recover’

by Audrey Steeves
The Magnettes © Annica Zion
Music, Music Videos, PremieresJuly 23, 2020<July 23, 2020

Premiere: The Magnettes Display Cinematic Flair in New Video for Anthemic Track “American”

by Hermione Kellow
Jordan Lehning © Laura Partain
Music, PremieresJuly 23, 2020<July 24, 2020

Interview: Nashville’s Jordan Lehning on Poignant “The Quarry Song” & Concept Album ‘Little Idols’

by Mitch Mosk
Sean McVerry © Erica Snyder
Music, PremieresJuly 23, 2020<July 23, 2020

Premiere: A Beautiful Standstill Makes Sean McVerry’s “Sixty six Seventy seven”

by Kelly McCafferty Dorogy
Columns, Music, Today's SongJuly 23, 2020<July 22, 2020

Today’s Song: Kid Cudi and Eminem Shine on First-Ever Duet, “The Adventures of Moon Man & Slim Shady”

by Josh Weiner
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 23, 2020<July 23, 2020

Breaking the Record with Roan Yellowthorn, Part 24: An Authentic Performance

by Guest Writer
Girl God - Girl God
Debut, Music, ReviewsJuly 22, 2020<July 22, 2020

Girl God Makes His War Beautiful with Singular & Stunning Debut EP

by Mitch Mosk
Tom Speight © Tom Leishman 2a
Music, ReviewsJuly 22, 2020<July 22, 2020

Review: Tom Speight Echoes Love & Tender Beauty in ‘Sunset Sound’ EP

by Mitch Mosk
Creature Comfort © Daniel Chaney
Music, PremieresJuly 22, 2020<July 22, 2020

Nashville’s Creature Comfort Dive into Existential Depths in Sun-Drenched “Darkside”

by Mitch Mosk
Debut, Music, ReviewsJuly 22, 2020<July 22, 2020

EP Review: Peter Manos’ Lyrical and Lonesome EP ‘Do You Turn Red?’

by Mariel Fechik
Music, ReviewsJuly 22, 2020<July 22, 2020

Review: Protomartyr Refine Their Old Sound with New Instruments on ‘Ultimate Success Today’

by Oliver Crook
Speaker Face (L-R): Trent Freeman, Ruby Randall, Eric Wright © Jen Squires
Music, PremieresJuly 22, 2020<July 22, 2020

Premiere: Speaker Face’s “Phosphorescence” Is an Ambient & Organic Immersion

by Mitch Mosk
Sarah Barrios © Cameron Postforoosh
Debut, Music, Reviews, Track-by-TrackJuly 21, 2020<July 21, 2020

Love & Heartbreak Coalesce in Sarah Barrios’ Pop-Perfect Debut ‘Letters I Never Sent’ EP

by Mitch Mosk
Posts pagination
1 … 411 412 413 414 415 … 737

Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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