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Raven Artson © Rick Erfmann
Features, Interviews, MusicJuly 30, 2020<July 30, 2020

Interview: Raven Artson Sends His Solo Career Soaring Off in L.A. with EP ‘notice me’

by Josh Weiner
Ric Wilson © Michael Salisbury
Features, Interviews, MusicJuly 30, 2020<September 29, 2020

“Better, Not Bigger”: Chicago’s Ric Wilson on Rap, Funk, Activism, & Staying True to Himself

by Mitch Mosk
Bastille © Matt Cronin
Music, Reviews, This Just InJuly 30, 2020<August 23, 2020

This Just In: Bastille Shock Us Out of Our Phone Screen Daze with “WHAT YOU GONNA DO???”

by Anthony Kozlowski
Opus Orange
Interviews, Music, Music VideosJuly 30, 2020<July 29, 2020

Interview: Opus Orange Discuss Isolation, Intimacy, “The Lucky Ones” & Creating in Quarantine

by Guest Writer
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 30, 2020<July 30, 2020

Breaking the Record with Roan Yellowthorn, Part 25: Rediscovered

by Guest Writer
Jon Reynolds & The Aches © Bryon White
Music, PremieresJuly 30, 2020<July 30, 2020

Premiere: New Scars Glow in Jon Reynolds & The Aches’ Catchy Song “Love Blind”

by Mitch Mosk
Columns, Music, Today's SongJuly 30, 2020<July 30, 2020

Today’s Song: The Front Bottoms Deliver a Timely Anthem with “montgomery forever”

by Lowndes Commander
Sufjan Stevens © 2020
Music, ReviewsJuly 29, 2020<July 29, 2020

Review: The Dissolution of Blind Faith, Then an Awakening in Sufjan Stevens’ “America” & “My Rajneesh”

by Nicole Almeida
Shimmer © Peach Luffe
Features, Music, Reviews, Track-by-TrackJuly 29, 2020<July 29, 2020

Feature: Toronto’s Peach Luffe Weaves Dreamy Wonders in ‘Shimmer’ EP

by Mitch Mosk
Here for Now - Louis The Child
Debut, Music, ReviewsJuly 29, 2020<July 29, 2020

Just to Be Around: Louis the Child’s Debut Album ‘Here For Now’ Stuns

by Audrey Steeves
Max Helgemo © Alyssa Stark
Music, PremieresJuly 29, 2020<July 29, 2020

Artist to Watch: Max Helgemo’s Dazzling “Uncovered” Is an Indie Folk Daydream

by Mitch Mosk
Emily Burns © Ayshe Zaifoglu
Features, Interviews, MusicJuly 29, 2020<July 29, 2020

Unrequited Love and Lockdown: An Interview with Emily Burns

by Luke Pettican
Cxpital © Kathryn Baum
Columns, Music, Today's SongJuly 29, 2020<July 29, 2020

Today’s Song: A Cohesive Explosion of Sound Makes Cxpital’s “San Francisco”

by Kelly McCafferty Dorogy
Atwood Magazine Editor's Picks 37
Columns, Editor's Picks, MusicJuly 28, 2020<July 28, 2020

Editor’s Picks 37: Ric Wilson, Loviet, Zaia, Aquilo, Erez Zobary & theMIND

by Mitch Mosk
KIRBY © Lauren Camp
Features, Interviews, MusicJuly 28, 2020<July 28, 2020

Feature: KIRBY Makes Soul Music to Heal Herself

by Guest Writer
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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