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Little Dragon © Ellen Edmar 8.3
Music, Our Take, ReviewsApril 2, 2020<December 15, 2020

Our Take: Little Dragon’s ‘New Me, Same Us’ Is a Sublime Evolution

by Danny Vagnoni
Columns, Music, Today's SongApril 2, 2020<April 2, 2020

Today’s Song: Lithics Keep It Catchy, Minimal, & Disjointed on New Single “Hands”

by Nick Matthopoulos
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 2, 2020<April 8, 2020

Breaking the Record with Roan Yellowthorn, Part 9: Artwork

by Guest Writer
Luz © Harvey Pearson
Debut, Music, Reviews, This Just InApril 2, 2020<March 31, 2020

This Just In: Luz Astounds with the Devastatingly Beautiful “i’m lonely”

by Luke Pettican
Racoon Racoon © Yoris Photographer
Music, PremieresApril 2, 2020<April 1, 2020

Premiere: Racoon Racoon Continue Their Eloquent Streak of Metaphorical Songwriting on “Deep Brown Eyes”

by Ryan Feyre
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Ultimate Old-School Supergroup The Rolling Bon Bones Unites and Announces Tour

by Lexi Lane
Atwood Magazine's Editor's Picks, April 1 2020
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Editor’s Picks: April 1, 2020

by Mitch Mosk
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Guinness World Records Officials Confirm Britney Spears Now Holds the Fastest Time for 100-Meter Sprint

by Bethan Harper
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Feature: Rihanna Unapologetically Returns with New Album ‘Bad Girl Gone Good’

by Baylee Less
Changes - Justin Bieber
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

A Really Late Review of Justin Bieber’s ‘Changes’

by James Crowley
John Cage in The Hague, Netherlands, 1988
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Music You Should Know: John Cage’s 4’33” Stuns

by Ben Niesen
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

This Just In: The Rolling Stones Call It Quits

by Josh Weiner
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Today’s Song: The Birds Outside My Window Deliver Mind-Bending Sounds with “Chirp”

by Adrian Vargas
Cormac O Caoimh © 2020
Music, PremieresMarch 31, 2020<April 5, 2020

Premiere: Cormac O Caoimh’s Poignant & Upbeat Ode “When My Kids Grow Too Old to Hold Hands”

by Mitch Mosk
The Sweater Set © Plume Photography (Amanda Reynolds)
Music, PremieresMarch 31, 2020<March 31, 2020

Premiere: DC Duo The Sweater Set Weave Sweet Folk & Romance into “Hostage”

by Mitch Mosk
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Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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