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Tomo © Jessie Rose Parker
Music, PremieresApril 15, 2020<April 14, 2020

Premiere: Tomo’s Second Single “For None to See” Offers a Peaceful Perspective

by Kelly McCafferty Dorogy
JOY - Seazoo
Music, Reviews, Track-by-TrackApril 14, 2020<August 7, 2023

Track-by-Track: Seazoo’s Sophomore Album Is a Feverish, Uplifting Bundle of ‘JOY’

by Mitch Mosk
Eternal Atake - Lil Uzi Vert 8.1
Music, Our Take, ReviewsApril 14, 2020<December 15, 2020

Our Take: Fans of Hip-Hop & Sci-Fi Will Enjoy the Expansive Thrills of Lil Uzi Vert’s Two-Part Release, ‘Eternal Atake’

by Josh Weiner
Caroline Rose
Features, Interviews, MusicApril 14, 2020<March 2, 2025

Interview with Caroline Rose: COVID-19 Camaraderie, Concept Albums, and Crunching Cellophane

by Tim Horwood
Columns, Debut, Music, Today's SongApril 14, 2020<April 15, 2020

Today’s Song: Soft Plastics Play in Campy Fugue on “Rope off the Tigers”

by Ben Niesen
Sonia Stein "Passerby" still 5
Music, PremieresApril 14, 2020<April 13, 2020

Premiere: London’s Sonia Stein Blurs Intimate Lines with Majestic “Passerby”

by Mitch Mosk
The 1975's Matty Healy live © Ruth Kilpatrick
Essays, MusicApril 13, 2020<April 26, 2020

Essay: CMJ, Amazing Radio, and Live (Music) in the Time of Coronavirus

by Guest Writer
Interviews, MusicApril 13, 2020<April 13, 2020

Interview: Transatlantic Trio Raynes on Folk Music, Philosophical Ideals, and Isolation

by Chloe Robinson
Mo Lowda
Music, Music Videos, PremieresApril 13, 2020<April 13, 2020

Premiere: Mo Lowda & the Humble Show That Memories Are Like Fragile “Pearls”

by Nina Schaarschmidt
Westerman © Bex Day
Columns, Music, Today's SongApril 13, 2020<April 13, 2020

On “Think I’ll Stay,” Westerman Remains Relentlessly Surprising in the Face of Lyrical Melancholy

by Tim Horwood
Empty Pockets Crowded Heart, Vol. 1 - Samuel Jack
Columns, Music, Today's SongApril 11, 2020<April 9, 2020

Today’s Song: Samuel Jack’s New Single “Gonna Be Alright” Shows Us the Light at the End of the Tunnel

by Joe Beer
Atwood Magazine Weekly Roundup 04102020
Columns, Features, Music, Weekly RoundupApril 10, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: April 10, 2020

by Atwood Magazine Staff
Music, Music Videos, PremieresApril 10, 2020<April 10, 2020

Artist-to-Watch: Forever Honey’s Dreamy “Twenty-Five” Is a Dazzling Quarter-Life Crisis

by Mitch Mosk
Future Past Life - STRFKR 8.8
Music, Our Take, ReviewsApril 10, 2020<December 15, 2020

Our Take: STRFKR’s ‘Future Past Life’ Offers Refreshing Take on Electro-Centricity

by Harper Beattie
Columns, Music, Reviews, Today's SongApril 10, 2020<April 10, 2020

Today’s Song: Camille Delean Balances Midsummer Blues & Anxiety on “Fault Line (Late July)”

by Adrian Vargas
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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