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Interviews, MusicMarch 20, 2020<November 9, 2021

The Life & Times of a Quarantined Artist: A Conversation with Alexandra Stréliski

by Adrian Vargas
Bury the Moon - Asgeir
Features, Interviews, MusicMarch 20, 2020<March 20, 2020

Finding Oneself Deep Down Inside the Mind: Ásgeir Discusses His New Album ‘Bury the Moon’

by Ilana Kalish
Two Feet © Republic Records
Debut, Features, Interviews, MusicMarch 20, 2020<March 20, 2020

Interview: Two Feet’s Zachary Dess Dives into Heartfelt Debut Album ‘Pink’

by Ben Beamish
Falling Asleep at the Wheel - Holly Humberstone
Columns, Debut, Music, Today's SongMarch 20, 2020<March 20, 2020

Artist to Watch: Holly Humberstone’s Second Single “Falling Asleep at the Wheel” Is a Hauntingly Intimate Upheaval

by Mitch Mosk
Eclipse - addy 10
Debut, Music, Our Take, Reviews, Track-by-TrackMarch 19, 2020<December 15, 2020

Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’

by Mitch Mosk
JST FRNDS © Zachary Deloach
Breaking the Record, Music, PremieresMarch 19, 2020<March 19, 2020

Premiere: JST FRNDS’ Aching “Long Nights” Is an Intimate Anthem for Social Distancing Times

by Mitch Mosk
Features, Interviews, MusicMarch 19, 2020<March 19, 2020

Escaping Monotony: An Interview with Alfie Templeman

by Baylee Less
Lastlings © 2020
Columns, Music, Today's SongMarch 19, 2020<March 21, 2020

Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks

by Josh Weiner
Blonder © 2020
Music, Music Videos, PremieresMarch 19, 2020<March 19, 2020

Premiere: Blonder Holds Together an Idea of Love with “Glue”

by Maggie McHale
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 19, 2020<March 16, 2020

Breaking the Record with Roan Yellowthorn, Part 7: Mastering & More

by Guest Writer
Izzy Thomas © Dorota Szostek
Interviews, MusicMarch 18, 2020<March 18, 2020

Interview: Izzy Thomas Is “Mad” as Hell on Fierce New Single

by Anthony Kozlowski
Beach Tiger © Lindsey McCleskey
Music, PremieresMarch 18, 2020<March 18, 2020

Premiere: Beach Tiger Returns for Good with Buoyant “Hard to Love,” an Aching Indie Pop Anthem

by Mitch Mosk
Finlay - Stranger © 2020
Music, Music Videos, PremieresMarch 18, 2020<March 18, 2020

Video Premiere: Finlay Unveils the Majesty of the World on “Strange”

by Adrian Vargas
Locate S,1 © Ebru Yildiz
Music, PremieresMarch 18, 2020<March 18, 2020

Premiere: Locate S,1’s Delightfully Cynical “Even the Good Boys Are Bad”

by Mariel Fechik
cabane © Elise Péroi
Columns, Music, Today's SongMarch 18, 2020<March 18, 2020

Today’s Song: Cabane’s Brilliantly Unique “Tu ne Joueras Plus à L’amour” (ft. Bonnie “Prince” Billy)

by Kelly McCafferty Dorogy
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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