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Firewoodisland - Firewoodisland
Interviews, Music, Reviews, Track-by-TrackApril 15, 2020<May 3, 2023

Feature: Inside Firewoodisland’s Hopeful & Hauntingly Beautiful Self-Titled Album

by Mitch Mosk
Columns, Music, Today's SongApril 15, 2020<April 15, 2020

Today’s Song: Audri Asks for Shelter and Security on “Harbor Me”

by Tim Horwood
Edward and Jane © Brooke Hamilton
Music, PremieresApril 15, 2020<May 29, 2020

Premiere: Edward and Jane’s Cinematic New Song “The Knife” Glows with Heartaching Beauty

by Mitch Mosk
Tomo © Jessie Rose Parker
Music, PremieresApril 15, 2020<April 14, 2020

Premiere: Tomo’s Second Single “For None to See” Offers a Peaceful Perspective

by Kelly McCafferty Dorogy
JOY - Seazoo
Music, Reviews, Track-by-TrackApril 14, 2020<August 7, 2023

Track-by-Track: Seazoo’s Sophomore Album Is a Feverish, Uplifting Bundle of ‘JOY’

by Mitch Mosk
Eternal Atake - Lil Uzi Vert 8.1
Music, Our Take, ReviewsApril 14, 2020<December 15, 2020

Our Take: Fans of Hip-Hop & Sci-Fi Will Enjoy the Expansive Thrills of Lil Uzi Vert’s Two-Part Release, ‘Eternal Atake’

by Josh Weiner
Caroline Rose
Features, Interviews, MusicApril 14, 2020<March 2, 2025

Interview with Caroline Rose: COVID-19 Camaraderie, Concept Albums, and Crunching Cellophane

by Tim Horwood
Columns, Debut, Music, Today's SongApril 14, 2020<April 15, 2020

Today’s Song: Soft Plastics Play in Campy Fugue on “Rope off the Tigers”

by Ben Niesen
Sonia Stein "Passerby" still 5
Music, PremieresApril 14, 2020<April 13, 2020

Premiere: London’s Sonia Stein Blurs Intimate Lines with Majestic “Passerby”

by Mitch Mosk
The 1975's Matty Healy live © Ruth Kilpatrick
Essays, MusicApril 13, 2020<April 26, 2020

Essay: CMJ, Amazing Radio, and Live (Music) in the Time of Coronavirus

by Guest Writer
Interviews, MusicApril 13, 2020<April 13, 2020

Interview: Transatlantic Trio Raynes on Folk Music, Philosophical Ideals, and Isolation

by Chloe Robinson
Mo Lowda
Music, Music Videos, PremieresApril 13, 2020<April 13, 2020

Premiere: Mo Lowda & the Humble Show That Memories Are Like Fragile “Pearls”

by Nina Schaarschmidt
Westerman © Bex Day
Columns, Music, Today's SongApril 13, 2020<April 13, 2020

On “Think I’ll Stay,” Westerman Remains Relentlessly Surprising in the Face of Lyrical Melancholy

by Tim Horwood
Empty Pockets Crowded Heart, Vol. 1 - Samuel Jack
Columns, Music, Today's SongApril 11, 2020<April 9, 2020

Today’s Song: Samuel Jack’s New Single “Gonna Be Alright” Shows Us the Light at the End of the Tunnel

by Joe Beer
Atwood Magazine Weekly Roundup 04102020
Columns, Features, Music, Weekly RoundupApril 10, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: April 10, 2020

by Atwood Magazine Staff
Posts pagination
1 … 441 442 443 444 445 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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