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Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: Ian William Craig Provides a Haunting Look into Hardship with “Comma”

by Adrian Vargas
The Rotanas 2020
Columns, Music, Today's SongMarch 4, 2020<March 3, 2020

The Rotanas Continue to Triumph with Raucous House Party Anthem “Scores on the Doors”

by Hermione Kellow
Vox Pop - SHEAFS
Debut, Music, ReviewsMarch 4, 2020<March 4, 2020

Review: SHEAFS’ Debut EP ‘Vox Pop’ Speaks to, and For the Younger Generations

by Oliver Crook
Music, Reviews, This Just InMarch 3, 2020<April 1, 2020

This Just In: The Airborne Toxic Event “Come on Out” with a Visceral Energy on First Song in 5 Years

by Mitch Mosk
Features, Interviews, MusicMarch 3, 2020<May 15, 2020

On the Path Towards Global Success: A Conversation with JC Stewart

by Luke Pettican
Trio Sessions - Joseph
Music, ReviewsMarch 3, 2020<March 4, 2020

Review: Reflection & Progression in Joseph’s Vulnerable ‘Trio Sessions’ EP

by Guest Writer
MOONZz © Jennica Abrams
Music, Music Videos, PremieresMarch 3, 2020<March 2, 2020

Premiere: LA’s MOONZz Breaks Free in Hard-Hitting “Runnin'” Music Video

by Bethan Harper
KOYO
Music, PremieresMarch 3, 2020<March 3, 2020

Premiere: Leeds’ KOYO Inject Tension & Turbulence into Feverish Title Track “You Said It”

by Mitch Mosk
Father of All Motherfuckers - Green Day album art 7.2
Music, Our Take, ReviewsMarch 3, 2020<December 15, 2020

Our Take: With ‘Father of All Motherfuckers’, the Middle-Aged Men of Green Day Prove They Are Still Young at Heart

by Josh Weiner
Columns, Music, Today's SongMarch 3, 2020<March 3, 2020

Today’s Song: Favours Dazes and Delights on Latest Single “She Is Soul”

by Adrian Vargas
Chelsea Cutler live in New York City © Lexi Lane
Concerts, MusicMarch 3, 2020<March 2, 2020

Live Review: Chelsea Cutler Creates Magic Through Music at NYC’s Terminal 5

by Lexi Lane
Love Thy Neighbour - Approachable Members Of Your Local Community
Music, ReviewsMarch 2, 2020<March 2, 2020

Approachable Members of Your Local Community Celebrate, Connect, & Grow with ‘Love Thy Neighbor’ EP

by Mitch Mosk
of Montreal's Kevin Barnes © Christina Schneider
Features, Interviews, MusicMarch 2, 2020<March 2, 2020

Interview: of Montreal’s Kevin Barnes on Vulnerability, Danceability, and New Album ‘UR FUN’

by Mariel Fechik
Soccer Mommy - Color Theory 8.6
Music, Our Take, ReviewsMarch 2, 2020<December 15, 2020

Our Take: Soccer Mommy’s ‘Color Theory’ Explores Darkness in Three Colors

by Lowndes Commander
Dancing on Tables 2020
Music, Music Videos, PremieresMarch 2, 2020<March 2, 2020

Premiere: Redefining Yourself with Dancing on Tables’ “Not to Need You”

by Nina Schaarschmidt
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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