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Emily Afton
Music, Music Videos, PremieresFebruary 17, 2020<February 17, 2020

Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil”

by Mitch Mosk
The Saxophones © Conner Sorenson
Music, Music Videos, Premieres, ReviewsFebruary 17, 2020<February 17, 2020

Premiere: Dreamy Notes of Joy & Sorrow Collide on The Saxophones’ “Forgot My Mantra”

by Adrian Vargas
Michael Dunstan © 2020
Columns, Music, Today's SongFebruary 17, 2020<February 17, 2020

Today’s Song: Michael Dunstan Lets Go with “Smoulder or Ignite”

by Kelly McCafferty Dorogy
Music, Podcast, Tunes & TumblersFebruary 14, 2020<May 14, 2024

Podcast: Tunes & Tumblers Celebrate Valentine’s Day Over Justin Timberlake’s Mid-’00s Classic ‘FutureSex/LoveSounds’

by Anthony Kozlowski
Columns, Features, Music, Weekly RoundupFebruary 14, 2020<February 14, 2020

Atwood Magazine’s Weekly Roundup: February 14, 2020

by Atwood Magazine Staff
Caity Krone © 2020
Music, This Just InFebruary 14, 2020<February 14, 2020

This Just In: Caity Krone Astounds with “Thank You for the Sunday Paper”

by Luke Pettican
Hit and Run EP - Larkins
Music, ReviewsFebruary 14, 2020<February 14, 2020

EP Review: Larkins’ ‘Hit and Run’ Is the Perfect Mash-Up of the Old, New, and Unexpected

by Bethan Harper
Love & Heartbreak Valentine's Day 2020
Features, Music, PlaylistsFebruary 14, 2020<April 21, 2023

Valentine’s Day 2020: Songs of Love & Heartache

by Atwood Magazine Staff
Interviews, MusicFebruary 14, 2020<February 13, 2020

Embracing the Future & Remembering the Past: A Conversation with Wild Nothing

by Madison Vettorino
Leena Culhane
Columns, Music, Today's SongFebruary 14, 2020<February 14, 2020

Today’s Song: Leena Culhane Practices Self-Love with “Ring the Bell”

by Kelly McCafferty Dorogy
Interviews, Music, ReviewsFebruary 13, 2020<February 13, 2020

The Lasting Impressions of Ephemeral Beauty: A Conversation with Rafiq Bhatia

by Adrian Vargas
KOOLKID © Robbie Bannerman
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Getting All Up in Our “Feelings” with Glasgow’s Pop Provocateur KOOLKID

by Mitch Mosk
Pinegrove © Caroline Tompkins
Features, Interviews, MusicFebruary 13, 2020<February 13, 2020

An Endless Night Through ‘Marigold’: A Conversation with Pinegrove

by James Crowley
Fransancisco © Aaron Thomas
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Indie Folk Duo Fransancisco Debut with Breathtaking Heartache in “Gold”

by Mitch Mosk
Loose Fit © Zafiro
Columns, Debut, Music, Today's SongFebruary 13, 2020<February 8, 2020

Today’s Song: Loose Fit’s “Pull the Lever” Brings Sharp Lyricism and a Killer Groove

by Danny Vagnoni
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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