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Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 13, 2020<February 13, 2020

Breaking the Record with Roan Yellowthorn, Part 2: Preproduction

by Guest Writer
Tessa © Maki Levine
Debut, Music, PremieresFebruary 13, 2020<February 14, 2020

Premiere: Melbourne’s Tessa Sheds Her ‘Hoodlem’ Alias with “Bad Bad Love”

by Ben Beamish
Eliza Shaddad © Mel Tjoeng
Music, ReviewsFebruary 12, 2020<February 12, 2020

Review: Longing for Connection with Eliza Shaddad’s Stormy ‘Sept ~ Dec’ EP

by Mitch Mosk
Debut, Music, Music Videos, PremieresFebruary 12, 2020<February 12, 2020

Premiere: Artist-to-Watch Ryann Emerges with Irresistible, Impassioned Sophomore Single “Drive”

by Mitch Mosk
SUMif © Kelly Mason
Music, Music Videos, PremieresFebruary 12, 2020<February 12, 2020

Premiere: SUMif Gives Us Pop-Synth Heaven with “Collide”

by Kelly McCafferty Dorogy
hristopher Paul Stelling - Chris Phelps3
Interviews, MusicFebruary 12, 2020<February 12, 2020

Interview: Christopher Paul Stelling Dives Into What Made ‘Best of Luck’ A Standout Record

by Kelly McCafferty Dorogy
Fake Shape © David Caleb Courtney 2019
Debut, Music, PremieresFebruary 12, 2020<February 13, 2020

Premiere: Fake Shape Get Real Jazzy in Debut “Headspace”

by Mitch Mosk
Julia Bardo © Ashton Hugh
Columns, Music, Today's SongFebruary 12, 2020<February 7, 2020

Today’s Song: Julia Bardo Wants to Feel Love in Her ’60s-Inspired Music Video

by Caitlin Ison
Glassio © Katelyn Kopenhaver
Interviews, MusicFebruary 11, 2020<March 13, 2020

Interview: Meet Glassio, an Artist Fueled by Melancholic & Halcyon Melodies

by Josh Weiner
Atwood Editor's Picks 28
Columns, Editor's Picks, Features, MusicFebruary 11, 2020<February 11, 2020

Editor’s Picks: February 11, 2020

by Mitch Mosk
Alexander Biggs © Jack Cain
Music, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Alexander Biggs’ Breathtaking Song “Laundromat” & the Weight of Disconnection

by Mitch Mosk
Broken Robots © Joel Lopez
Music, Music Videos, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Feeling Like a Fish with Broken Robots’ “Dimes and Quarters”

by Mitch Mosk
Paige Cora © Jennifer McCready
Music, PremieresFebruary 11, 2020<February 11, 2020

Premiere: Paige Cora Journeys Down “The Good Side of Desire” and Self-Discovery

by Mitch Mosk
Surf Rock Is Dead © Shamshawan Scott
Columns, Music, Today's SongFebruary 11, 2020<February 11, 2020

Today’s Song: Messy Roommates Surf Rock is Dead Enter the World of Dreamy Indie Rock with “Diabolik”

by Josh Weiner
Colony House
Features, Interviews, MusicFebruary 10, 2020<February 10, 2020

Interview: Colony House Revitalize the Sublime Art of Storytelling in New Album ‘Leave What’s Lost Behind’

by Baylee Less
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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