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Features, Interviews, MusicFebruary 3, 2020<February 3, 2020

Interview: American Authors Are Using Their “Microphone” to Tell You Something You Need to Hear

by Chloe Robinson
Columns, Music, Today's SongFebruary 3, 2020<February 3, 2020

Today’s Song: FLOOR CRY Is Sure to Win Hearts with “1-800-LOVE”

by Madison Vettorino
Atwood Magazine's Weekly Roundup January 31 2020
Columns, Music, Weekly RoundupJanuary 31, 2020<February 3, 2020

Atwood Magazine’s Weekly Roundup: January 31, 2020

by Atwood Magazine Staff
Columns, Music, VideoJanuary 31, 2020<January 31, 2020

The LA Archives with Pablo Dylan: Episode 1 – The Book Store

by Adrian Vargas
Honest - San Holo & Broods © Dolly Ave
Music, ReviewsJanuary 31, 2020<January 31, 2020

Review: San Holo & Broods Team Up for an “Honest” Song of Intimate Connection

by Mitch Mosk
Alex Ebert music 2020
Features, Interviews, MusicJanuary 31, 2020<February 11, 2020

Uninhibited Instinct & Creative Freedom: Alex Ebert on His Unapologetic Album ‘I vs I’

by Mitch Mosk
Columns, Music, Today's SongJanuary 31, 2020<January 31, 2020

Today’s Song: Soccer Mommy Pulls Back the Curtain on “circle the drain”

by Nicole Almeida
Sløtface © Jonathan Vivaas Kise
Features, Interviews, MusicJanuary 30, 2020<January 30, 2020

Interview: Sløtface Want You to Know You’re Not Alone on ‘Sorry for the Late Reply’

by Oliver Crook
Tyson Motsenbocker
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Tyson Motsenbocker Wants You to “Come to California” in His Golden New Song

by Mitch Mosk
Jack Symes
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Feel the Love in Jack Symes’ Seductive, Sunny Song “Baby, My Baby”

by Mitch Mosk
Comme des Garçons - Rina Sawayama
Columns, Music, Today's SongJanuary 30, 2020<January 30, 2020

Rina Sawayama Channels Early 2000s Swagger in Her Drippingly Confident “Comme des Garçons”

by Danny Vagnoni
Music, Music Videos, Premieres, ReviewsJanuary 30, 2020<January 30, 2020

Video Premiere: Daggy Man Combines Distortion and Elegance on “A Reliable Figure”

by Adrian Vargas
A Light | Dusk - Granite to Glass
Music, ReviewsJanuary 29, 2020<January 29, 2020

Brooklyn’s Granite to Glass Weave Wondrous Orchestral Folk in “A Light | Dusk”

by Mitch Mosk
Amy Milner © Tim Larcombe
Debut, Music, Premieres, ReviewsJanuary 29, 2020<January 29, 2020

EP Premiere: Amy Milner’s ‘Plans’ EP Is an Uplifting, Spellbinding Experience

by Mitch Mosk
TEME © Bo Morgan
Music, PremieresJanuary 29, 2020<January 29, 2020

Premiere: TEME’s Haunting Song “PRLYSD” Manifests Intimate Grief

by Mitch Mosk
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Brand New

  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love

:: discover something new ::

Recent Posts

  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
  • “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’ April 15, 2026
  • “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph April 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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