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Music, Music Videos, Premieres, ReviewsJanuary 30, 2020<January 30, 2020

Video Premiere: Daggy Man Combines Distortion and Elegance on “A Reliable Figure”

by Adrian Vargas
A Light | Dusk - Granite to Glass
Music, ReviewsJanuary 29, 2020<January 29, 2020

Brooklyn’s Granite to Glass Weave Wondrous Orchestral Folk in “A Light | Dusk”

by Mitch Mosk
Amy Milner © Tim Larcombe
Debut, Music, Premieres, ReviewsJanuary 29, 2020<January 29, 2020

EP Premiere: Amy Milner’s ‘Plans’ EP Is an Uplifting, Spellbinding Experience

by Mitch Mosk
TEME © Bo Morgan
Music, PremieresJanuary 29, 2020<January 29, 2020

Premiere: TEME’s Haunting Song “PRLYSD” Manifests Intimate Grief

by Mitch Mosk
Debut, Music, PremieresJanuary 29, 2020<January 28, 2020

Premiere: CHERITON Brings Summer Early with Debut Single “Parallel”

by Baylee Less
Columns, Music, Today's SongJanuary 29, 2020<January 28, 2020

Common’s “My Fancy Free Future Love,” Remixed by Tom Misch: Settling Down Meets Getting on Up

by Tim Horwood
Circa Waves © 2020
Features, Interviews, MusicJanuary 29, 2020<February 6, 2020

Making Music Videos, Self-Deprecation and the End of the World: An Interview with Circa Waves

by Bethan Harper
Me & The Monster
Debut, Music, Premieres, ReviewsJanuary 28, 2020<January 28, 2020

Premiere: Me & the Monster Emerge with Urgency in Raw, Stirring Self-Titled Debut EP

by Mitch Mosk
Atwood Editor's Picks Jan 27 2020
Columns, Editor's Picks, MusicJanuary 28, 2020<January 28, 2020

Editor’s Picks: January 27, 2020

by Mitch Mosk
Music, Music Videos, PremieresJanuary 28, 2020<January 28, 2020

Video Premiere: Draag Submerges Listeners in a Pool of Ominous Bliss on “Trauma Kit”

by Adrian Vargas
Ella Vos © Danielle Ernst
Covers, Features, Interviews, MusicJanuary 28, 2020<January 27, 2020

Interview: Ella Vos Affirms Her Self-Worth in Her Devastating “Cellophane” Cover

by Anthony Kozlowski
Kaleo © Dan Winters
Music, Reviews, This Just InJanuary 28, 2020<January 27, 2020

This Just In: Kaleo Break Long Silence with Dual Singles “I Want More” and “Break My Baby”

by Anthony Kozlowski
KAHLLA by Ben Mcconnachie
Columns, Music, Today's SongJanuary 28, 2020<August 29, 2023

Today’s Song: KAHLLA Gets Real With Heartbreak in Latest Song “For You”

by Erica Danielle Garcia
Growing Down - Termination Dust
Music, ReviewsJanuary 27, 2020<January 25, 2020

Termination Dust Show Off Both Pop Sensibility & Punk Intensity While ‘Growing Down’

by James Crowley
Annie O'Malley © Arielle Vey
Music, Music Videos, PremieresJanuary 27, 2020<January 27, 2020

Premiere: Annie O’Malley’s Soothing & Cinematic “Golden Doves”

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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