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Columns, Music, Today's SongDecember 11, 2019<December 10, 2019

Today’s Song: COIN Let It All Out with Their Latest Sonic Masterpiece

by Madison Vettorino
Fickle Friends © Bethan Harper
Concerts, Music, ReviewsDecember 11, 2019<December 10, 2019

Live Review: A Night of Perfect Pop with Fickle Friends at The Joiners, Southampton

by Bethan Harper
Foxtails Brigade - Kramies
Music, PremieresDecember 10, 2019<December 10, 2019

Premiere: Foxtails Brigade & Kramies Unite in Split Single “On the Other Side” / “Between the Moon”

by Mitch Mosk
Tunes and Tumblers Dudes David Davis © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersDecember 10, 2019<April 30, 2023

Podcast: Tunes & Tumblers Follow the “White Rabbit” with Producer David Davis

by Anthony Kozlowski
Freak Why Dogs Why Promo
Columns, Music, Today's SongDecember 10, 2019<August 16, 2021

Today’s Song: Why Dogs Why’s “Freak” Shows We’re Not the Only Ones Feeling Afraid

by Erica Danielle Garcia
Naaz
Concerts, Music, ReviewsDecember 9, 2019<December 9, 2019

Artist to Watch: Naaz Dazzles with Emotional Poignancy at London’s Camden Assembly

by Luke Pettican
rosecoloredworld
Columns, Debut, Music, Today's SongDecember 9, 2019<December 9, 2019

Rosecoloredworld Turn Their Inner Battles into a Glimmery Uplifting Song with “Walking on the Sun”

by Alicia Bugallo
Maude Latour © Lola Lafia
Features, Interviews, MusicDecember 6, 2019<December 6, 2019

Interview: Maude Latour Talks New EP and Her University Life

by Lexi Lane
Our Favorite Albums of 2018
Albums of the Decade, Columns, Features, MusicDecember 6, 2019<January 9, 2020

Our Favorite Albums of the Decade: 2018

by Atwood Magazine Staff
2019 - Lucy Dacus
Music, ReviewsDecember 6, 2019<January 2, 2020

Reflection, Introspection, & Irony: The Secular Liturgy of Lucy Dacus’ ‘2019’ EP

by Guest Writer
Wallows x Clairo "Are You Bored Yet?"
Columns, Music, Today's SongDecember 6, 2019<December 6, 2019

Today’s Song: Wallows and Clairo Ask “Are You Bored Yet?” on First Collab

by Madison Vettorino
Moby Rich © Jack Dytrych
Music, PremieresDecember 5, 2019<December 5, 2019

Premiere: Tap into the High Highs of Moby Rich’s #Winning “Loser” (Broods Remix)

by Mitch Mosk
Honey Mooncie © Louis Bryant
Music, PremieresDecember 5, 2019<December 5, 2019

Premiere: Honey Mooncie Breathes Absolute Splendor on Second Single “Nice to Have a Break”

by Adrian Vargas
Leddra Chapman
Music, PremieresDecember 5, 2019<December 11, 2019

Premiere: Leddra Chapman Explores a Heartbreaking Loss with “Ghosts”

by Kelly McCafferty Dorogy
Cellar Door Moon Crow
Music, ReviewsDecember 4, 2019<December 4, 2019

Northern England’s Rock Scene Proudly Repp’ed by Cellar Door Moon Crow

by Josh Weiner
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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