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Matt Mays © Devin McLean
Columns, Music, Today's SongDecember 18, 2019<December 17, 2019

Today’s Song: Matt Mays Looks for Hope Amongst the Wreckage on “Let There Be Love”

by Oliver Crook
Atwood Magazine Editor's Picks 25
Editor's Picks, Features, MusicDecember 17, 2019<January 9, 2020

Editor’s Picks: December 17, 2019

by Mitch Mosk
Love you later
Columns, Music, Today's SongDecember 17, 2019<December 17, 2019

Today’s Song: On “Said That You’d Be There,” Love You Later Makes the Most of Past Misfortunes

by Josh Weiner
Lust and Learn - The Slow Show
Features, Interviews, MusicDecember 16, 2019<December 16, 2019

Interview: The Slow Show Dive into the Breathtaking Depths of ‘Lust and Learn’

by Mitch Mosk
Columns, Music, Today's SongDecember 16, 2019<December 13, 2019

Today’s Song: A Mellifluous Telling of Growth on Jennah Barry’s “Pink Grey Blue”

by Adrian Vargas
Halsey © Aidan Cullen
Music, Reviews, This Just InDecember 13, 2019<December 13, 2019

This Just In: Halsey Displays Duality in New Songs “Finally // beautiful stranger” and “SUGA’s Interlude”

by Lexi Lane
Atwood Magazine's Favorite Albums of 2019
Albums of the Decade, Columns, Features, MusicDecember 13, 2019<January 9, 2020

Our Favorite Albums of the Decade: 2019

by Atwood Magazine Staff
Zoe Konez and Antonio Lulic
Columns, Music, Today's SongDecember 13, 2019<December 10, 2019

Today’s Song: Run Away with Zoe Konez’s & Antonio Lulic’s “Echo”

by Ben Beamish
Interviews, Music, ReviewsDecember 12, 2019<December 12, 2019

Interview: aVIE Provides a Unique Flair to Hip-Hop Inspired Samples with New EP ‘The Escapade’

by Adrian Vargas
Music, Reviews, This Just InDecember 12, 2019<December 12, 2019

This Just In: talker Shatters Her Anxiety by “Learning the Feeling”

by Anthony Kozlowski
Jimmy Harvey © Sophy Plumb
Music, PremieresDecember 12, 2019<December 12, 2019

Premiere: Jimmy Harvey’s Wistful “I Don’t Mind the Rain” Splashes Through Home Movie Ennui

by Anthony Kozlowski
Francine Thirteen
Music, PremieresDecember 12, 2019<December 12, 2019

Premiere: Francine Thirteen’s Ritualistic, Haunting “Psalm of Semiramis”

by Mariel Fechik
Columns, Music, Today's SongDecember 12, 2019<December 10, 2019

Today’s Song: Rhys Lewis Beautifully Bewitches with “Be Your Man”

by Luke Pettican
Bear's Den © Sequoia Ziff
Music, ReviewsDecember 11, 2019<December 11, 2019

Review: Bear’s Den Evoke Winter’s Warmth in ‘Only Son of the Falling Snow’ EP

by Mitch Mosk
AyseDeniz Gokcin
Columns, Interviews, Music, VariationsDecember 11, 2019<December 11, 2019

Variations: AyseDeniz Gokcin Brings a Rocker’s Sense to Classical Concepts

by Coco Rich
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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