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Music, Music Videos, Premieres, ReviewsFebruary 6, 2020<February 6, 2020

Premiere: Le Couleur Embrace Macabre Sensuality on Latest Single “Concorde”

by Adrian Vargas
Breaking the Record, Columns, MusicFebruary 6, 2020<February 6, 2020

Breaking the Record with Roan Yellowthorn, Part 1: Introduction

by Guest Writer
Opus Orange © Peach Beckley
Features, Music, PremieresFebruary 6, 2020<February 6, 2020

Feature: Opus Orange’s Classical Music Roots, Love for Nature, and “Miles from Nowhere”

by Guest Writer
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Billy Raffoul Explores New Sounds with Latest Single “Without Falling in Love”

by Erica Danielle Garcia
Columns, Music, Today's SongFebruary 6, 2020<February 6, 2020

Today’s Song: Singer/Songwriter Liz Longley Liberates with “3 Crow”

by Kelly McCafferty Dorogy
Harmless © 2020
Music, ReviewsFebruary 5, 2020<February 5, 2020

Love, Tears, & Recovery: Harmless’ Spiritually Cleansing ‘Condiciones’ EP

by Mitch Mosk
Alexandria Maillot © Laura Baldwinson
Music, Music Videos, PremieresFebruary 5, 2020<March 2, 2025

Video Premiere: Alexandria Maillot’s Dark, Emotionally Intense “Someone to Keep You Warm”

by Mitch Mosk
Gus Englehorn © Ariane Moisan
Debut, Interviews, MusicFebruary 5, 2020<February 5, 2020

Interview: Entering the Creepy & Emotive World of Gus Englehorn’s ‘Death & Transfiguration’

by Frankie Rose
Electric Palace © 2019
Columns, Music, Today's SongFebruary 5, 2020<February 5, 2020

Today’s Song: Electric Palace Call Out Two-Faced People on Dancey-Rock Single “Pretend”

by Oliver Crook
Ethansroom - Ethansroom
Features, Music, PremieresFebruary 5, 2020<February 5, 2020

Premiere: Ethansroom Opens His Room and His Heart on Vulnerable Self-Titled Album

by Oliver Crook
Tom Joshua © Jodie Canwell
Debut, Features, Interviews, MusicFebruary 5, 2020<April 16, 2020

Interview: English Singer/Songwriter Tom Joshua Stuns with Soaring “Cinema”

by Luke Pettican
Emily Keener © Adam Maraschky
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Emily Keener’s “Do You Love Me Lately?” Crosses Desire & Fear with Haunting Indie Folk Vulnerability

by Mitch Mosk
Charli Adams © Bjorn Franklin
Debut, Features, Interviews, MusicFebruary 4, 2020<February 4, 2020

Down for the Ride: Charli Adams’ Debut EP Reverberates Precious Youth

by Coco Rich
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Blood Cultures & DJ ST THOMAS Join Forces for Bustling Remix of “Best for You”

by Adrian Vargas
Music, Podcast, Tunes & TumblersFebruary 4, 2020<April 30, 2023

Podcast: Tunes & Tumblers Toast Billie Eilish’s Historic Grammy Wins

by Anthony Kozlowski
Posts pagination
1 … 462 463 464 465 466 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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