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Columns, Music, Today's SongDecember 4, 2019<December 4, 2019

Today’s Song: Half Wolf Creates Swirling Beauty on Newest Single “My Stranger”

by Adrian Vargas
Jordan Mackampa
Features, Interviews, MusicDecember 4, 2019<January 9, 2020

Interview with Jordan Mackampa: A Timeless Soul Singer with a Modern Sensibility

by Luke Pettican
Everybody Breaks - Ivan & Alyosha
Music, Music Videos, PremieresDecember 3, 2019<December 4, 2019

Premiere: Everybody Bends & “Everybody Breaks” in Ivan & Alyosha’s Fiery New Music Video

by Mitch Mosk
Tall Heights
Features, Interviews, MusicDecember 3, 2019<December 2, 2019

Interview: Keeping It Light with Dream Folk Duo Tall Heights

by Chloe Robinson
Lolo Zouaï © Grant Spanier
Columns, Music, Today's SongDecember 3, 2019<December 2, 2019

Today’s Song: Lolo Zouaï Sparkles on “Money Diamonds Roses”

by Lexi Lane
Will Joseph Cook
Columns, Music, Today's SongDecember 2, 2019<December 2, 2019

Today’s Song: Will Joseph Cook Playfully Addresses Societal Issues in His Single “The Dragon”

by Bethan Harper
Jake Bugg © Sarah Piantadosi
Music, ReviewsDecember 2, 2019<December 2, 2019

Review: “Kiss Like the Sun” Sees Jake Bugg Back at His Best

by Luke Pettican
Our Favorite Albums of 2017
Albums of the Decade, Columns, Features, MusicNovember 29, 2019<August 16, 2024

Our Favorite Albums of the Decade: 2017

by Atwood Magazine Staff
Come on Up to the House - Women Sing Waits
Music, ReviewsNovember 29, 2019<November 29, 2019

Review: ‘Come On Up to the House: Women Sing Waits’ Is a True Gift to Us All

by Ilana Kalish
Matt Maltese
Columns, Music, Today's SongNovember 29, 2019<November 27, 2019

Today’s Song: “Tokyo” Is Matt Maltese at His Tightest, Sparest, and Most Compelling

by Tim Horwood
Thanksgiving 2019
Essays, MusicNovember 28, 2019<November 27, 2019

Atwood Magazine’s Thanksgiving 2019: Warmth, Love, and Gratitude

by Atwood Magazine Staff
Shawn Wasabi
Columns, Music, Today's SongNovember 28, 2019<November 22, 2019

Today’s Song: Shawn Wasabi’s Latest Single Is Soundin’ Like a “SNACK”

by Alex Killian
Got You - ELEVNS ft. Camden x Taylor Noelle
Music, ReviewsNovember 27, 2019<November 27, 2019

Review: ELEVNS, Camden & Taylor Noelle Astonish with Loving Song “Got You”

by Luke Pettican
Tunes & Tumblers New New Girlfriend Banner © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersNovember 27, 2019<April 30, 2023

Podcast: Tunes & Tumblers Get Their Jingle on with New New Girlfriend and “Their Early Stuff”

by Anthony Kozlowski
Sara Diamond 2019
Columns, Music, Today's SongNovember 27, 2019<November 22, 2019

Today’s Song: Sara Diamond Is Loved By the NHL, Less So By the “Baby” She Desires

by Josh Weiner
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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