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Manchester Orchestra, T Bone Burnett
Columns, Music, Today's SongJanuary 7, 2020<January 7, 2020

Manchester Orchestra & T Bone Burnett Team Up to Ask Tough Questions on “Xela”

by Oliver Crook
The album cover for Black Sand 8.7
Music, Our Take, ReviewsJanuary 7, 2020<December 15, 2020

Our Take: Akai Solo and Pink Siifu’s ‘Black Sand’ Is an Experimental Treasure

by Ryan Feyre
Kid Nobody © Dustin Giallanza
Music, PremieresJanuary 6, 2020<January 6, 2020

Premiere: “Ready or Not,” Kid Nobody Are Coming in Hot on New 2020 Single

by Mitch Mosk
Oh Wonder © Olga De La Iglesia
Columns, Music, This Just In, Today's SongJanuary 6, 2020<February 6, 2020

Oh Wonder’s Heartfelt “Happy” Is a Beautiful Song of Moving On & Letting Go

by Mitch Mosk
Music, Podcast, Tunes & TumblersDecember 24, 2019<April 30, 2023

Podcast: Tunes & Tumblers Partake in Some Holiday Spirits

by Anthony Kozlowski
Anna of the North
Columns, Music, Today's SongDecember 24, 2019<December 24, 2019

Today’s Song: Anna of the North Wonders, “When R U Coming Home”?

by Madison Vettorino
Atwood Magazine's Mistletones Best New Holiday Music 2019
Columns, Features, Interviews, Mistletones, MusicDecember 23, 2019<January 9, 2020

Atwood Magazine Presents Mistletones: 2019’s Best New Holiday Songs

by Atwood Magazine Staff
Body EP - Marie Lang
Debut, Music, ReviewsDecember 23, 2019<December 20, 2019

Review: Marie Lang Lets Loose on Debut EP ‘Body’

by Ben Beamish
Circa Waves © Katy Cummings
Columns, Music, Today's SongDecember 23, 2019<December 19, 2019

Today’s Song: Nostalgia Meets Hustle Culture in Circa Waves’ “Jacqueline”

by Nina Schaarschmidt
Atwood Magazine's 2019 Songs of the Year
Features, Music, ReviewsDecember 20, 2019<March 6, 2020

Atwood Magazine’s 2019 Songs of the Year

by Atwood Magazine Staff
The Rotanas
Columns, Music, Today's SongDecember 20, 2019<December 19, 2019

Today’s Song: Getting “Caught on Camera” with Cardiff’s The Rotanas

by Hermione Kellow
Fine Line - Harry Styles
Features, Music, Reviews, RoundtableDecember 19, 2019<June 29, 2024

Roundtable Discussion: A Review of Harry Styles’ ‘Fine Line’

by Atwood Magazine Staff
Columns, Reviews, Today's SongDecember 19, 2019<December 19, 2019

Today’s Song: Incantations of Modern Dread on Destroyer’s Newest Single “It Just Doesn’t Happen”

by Adrian Vargas
Albums of the Decade, Features, MusicDecember 18, 2019<February 6, 2020

Atwood Magazine’s Best Albums of the Decade

by Atwood Magazine Staff
Music, ReviewsDecember 18, 2019<December 18, 2019

Review: Nina Kraviz’s ‘MASSEDUCTION Rewired’ Is a Splintered, Over-Saturated Translation

by Guest Writer
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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