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Paige Cora © Jennifer McCready
Music, PremieresFebruary 11, 2020<February 11, 2020

Premiere: Paige Cora Journeys Down “The Good Side of Desire” and Self-Discovery

by Mitch Mosk
Surf Rock Is Dead © Shamshawan Scott
Columns, Music, Today's SongFebruary 11, 2020<February 11, 2020

Today’s Song: Messy Roommates Surf Rock is Dead Enter the World of Dreamy Indie Rock with “Diabolik”

by Josh Weiner
Colony House
Features, Interviews, MusicFebruary 10, 2020<February 10, 2020

Interview: Colony House Revitalize the Sublime Art of Storytelling in New Album ‘Leave What’s Lost Behind’

by Baylee Less
Factor Chandelier
Music, PremieresFebruary 10, 2020<February 10, 2020

Premiere: Factor Chandelier Preps Us for ‘First Storm’ with “Four Fifteen”

by Coco Rich
Kiana Valenciano © DJ Magbanua
Music, PremieresFebruary 10, 2020<August 16, 2021

Today’s Song: Kiana Valenciano Dives into Loving Naturally in “No Rush” ft. Billy Davis

by Erica Danielle Garcia
5 Seconds of Summer © Andy DeLuca
Music, Reviews, This Just InFebruary 10, 2020<August 16, 2021

This Just In: 5 Seconds of Summer Critique the Attention Illusion in “No Shame”

by Erica Danielle Garcia
Idle Joy © 2020
Music, Music Videos, PremieresFebruary 8, 2020<February 8, 2020

Premiere: Idle Joy’s “Neighbors” Is Pure Fun Wrapped in Blues with a Country Twang

by Danny Vagnoni
Atwood Magazine's Weekly Roundup February 7 2020
Columns, Features, Music, Weekly RoundupFebruary 7, 2020<March 6, 2020

Atwood Magazine’s Weekly Roundup: February 7, 2020

by Atwood Magazine Staff
JJ Wilde © Jonathan Weiner
Interviews, Music, Music Videos, ReviewsFebruary 7, 2020<February 7, 2020

Interview: JJ Wilde Reveals Her Raw & Vulnerable Side in “Funeral for a Lover”

by Mitch Mosk
Plested © 2019
Columns, Music, Today's SongFebruary 7, 2020<February 6, 2020

Today’s Song: Plested Returns with the Brilliantly Authentic “Beautiful & Brutal”

by Luke Pettican
Oh Wonder © Olga De La Iglesia
Features, Interviews, MusicFebruary 7, 2020<March 6, 2020

Interview: Oh Wonder Dive into Their Intimate Third Album, ‘No One Else Can Wear Your Crown’

by Mitch Mosk
Debut, Interviews, MusicFebruary 6, 2020<March 2, 2020

Interview: Chelsea Cutler Encapsulates Adulthood on New Album ‘How To Be Human’

by Lexi Lane
Tori Amos 1992 © Tori Amos
Columns, Music, Nostalgia TracksFebruary 6, 2020<February 6, 2020

Nostalgia Tracks: Exploring the Physical & Metaphysical Conventions of Dishware with Tori Amos’ “China”

by Jesse Herb
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Youngr & Tall Children Join Forces in Irresistible Sun-Soaked Banger “Last for Long”

by Mitch Mosk
Kerry Hart © Lauren Dukoff
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Kerry Hart Tears into Life’s Paradox in Raw, Emotional “Screaming Quietly”

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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