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Freya Ridings © Jamie Rowan
Features, Interviews, MusicOctober 2, 2019<October 2, 2019

Breaking Through on Her Own Terms: An Interview with Freya Ridings

by Luke Pettican
Easypeel
Music, PremieresOctober 2, 2019<October 2, 2019

Premiere: Easypeel’s “Honey Glazed” Is a Bittersweet Ride

by Ben Beamish
Half Wolf
Columns, Music, Today's SongOctober 2, 2019<October 2, 2019

Today’s Song: Half Wolf Enchants with Empowering New Single “Cigarette Smoke”

by Adrian Vargas
Campsie © Joshua Onabowu
Debut, Music, PremieresOctober 1, 2019<October 1, 2019

Premiere: London’s Campsie Debuts with Intimate Indie Pop Upheaval “I’m Gone”

by Mitch Mosk
Interviews, Music, ReviewsOctober 1, 2019<October 1, 2019

The Contrasting Narratives of Bleakness & Charm: A Conversation with The Golden Dregs

by Adrian Vargas
Music, Podcast, Tunes & TumblersOctober 1, 2019<April 30, 2023

Podcast: Tunes & Tumblers “Stop Making Sense” with Talking Heads

by Anthony Kozlowski
Atwood Magazine Editor's Picks 23
Editor's Picks, Features, MusicOctober 1, 2019<October 16, 2019

Editor’s Picks: October 1, 2019

by Mitch Mosk
10
Music, Our Take, ReviewsOctober 1, 2019<December 15, 2020

Our Take: Foy Vance’s ‘To Memphis’ Is the Record for Your Soul

by Erica Danielle Garcia
Naaz
Columns, Music, Reviews, Today's SongOctober 1, 2019<October 1, 2019

Today’s Song: Naaz Delves Deeply into Her “Damage”

by Luke Pettican
GRAE music © Lizzie O’Donnell
Features, Interviews, MusicSeptember 30, 2019<April 15, 2022

Passion, Anger, and Empowerment: Inside GRAE’s Anthemic “Woman’s World”

by Mitch Mosk
Brightside
Music, PremieresSeptember 30, 2019<September 30, 2019

Premiere: Pittsburgh’s Brightside Get the Blood Pumping with “Just Like Dancing”

by Mitch Mosk
Desmerelda
Essays, Music, ReviewsSeptember 30, 2019<September 30, 2019

Editorial: Music Induced Memories with Desmerelda’s “Tango with the Hypnotist”

by Adrian Vargas
Litany © Marieke Macklon // Love Letter
Music, Reviews, This Just InSeptember 30, 2019<May 20, 2021

This Just In: Litany’s Sweet N’ Spicy “Love Letter” Hurts Just Right

by Mitch Mosk
Soccer Mommy © Brian Ziff
Columns, Music, Today's SongSeptember 30, 2019<September 30, 2019

Today’s Song: Soccer Mommy Examines Her Devilish Side on “lucy”

by Nicole Almeida
Columns, Features, Music, Weekly RoundupSeptember 27, 2019<September 27, 2019

Atwood Magazine’s Weekly Roundup: September 27, 2019

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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