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Wallows Approved Press Photo #8
Columns, Music, Today's SongOctober 7, 2019<February 19, 2021

Today’s Song: Wallows Spin the Soundtrack to Restless Youth on “Just Like a Movie”

by Meredith Nardino
Features, Music, Weekly RoundupOctober 4, 2019<October 4, 2019

Atwood Magazine’s Weekly Roundup: October 4, 2019

by Atwood Magazine Staff
Blood Harmony- FINNEAS EP Cover Art
Debut, Music, ReviewsOctober 4, 2019<October 4, 2019

Review: Blood Harmony is FINNEAS’ Immaculate First Step into His Cinematic, Beautiful World

by Nicole Almeida
Tom Speight © Tom Leishman
Debut, Features, Interviews, MusicOctober 4, 2019<September 24, 2021

More Than a Little Love: Tom Speight Dives into His Stunning Debut Album ‘Collide’

by Mitch Mosk
Frances Luke Accord © Luke Jackson
Music, PremieresOctober 4, 2019<October 4, 2019

The Fresh Autumn Folk of Frances Luke Accord’s “Thank You, Derrick Watson”

by Mitch Mosk
Rosie O’Sullivan
Interviews, MusicOctober 4, 2019<October 4, 2019

Singing Soul and Striving for Acceptance: A Conversation with Rosie O’Sullivan

by Josh Weiner
Hello Exile - The Menzingers
Music, ReviewsOctober 4, 2019<October 4, 2019

Review: The Menzingers Take on Existential Worries in ‘Hello Exile’

by James Crowley
Jixi © 2019
Columns, Debut, Music, Today's SongOctober 4, 2019<October 4, 2019

Today’s Song: Jixi Delivers a Simply Great Song with Debut “Psycho Daydream”

by James Crowley
The Madness - Nicotine Dolls
Debut, Music, Music Videos, PremieresOctober 3, 2019<October 3, 2019

Nicotine Dolls’ Feverish “The Madness” Is an Alt-Rock Dream

by Mitch Mosk
Paper Beat Scissors © Stacy Lee
Music, ReviewsOctober 3, 2019<October 3, 2019

Fragility, Nuance, & Grace: A Review of Paper Beat Scissors’ Dazzling ‘Parallel Line’

by Mitch Mosk
KTG
Music, ReviewsOctober 3, 2019<October 3, 2019

Review: A Common Thread of Folk & Soul Make KTG’s ‘Searching for Magpies’

by Kelly McCafferty Dorogy
Anna Vogelzang © Carla Coffing
Features, Music, PremieresOctober 3, 2019<October 3, 2019

Album Premiere: Anna Vogelzang’s Delicate, Personal ‘Beacon’

by Mariel Fechik
Wolf & Moon © Dani Rguez
Columns, Music, Today's SongOctober 3, 2019<October 2, 2019

Today’s Song: Wolf & Moon Are Sonic Explorers on Hopeful New Song “Situations”

by Oliver Crook
Music, PremieresOctober 3, 2019<October 2, 2019

The Road to Scala: An Interview with Luna Bay

by Luke Pettican
Bluebiird, Emily Osment © Adam Goldberg
Debut, Features, Interviews, MusicOctober 2, 2019<December 5, 2019

Feature: Emily Osment Soars as Bluebiird in Stirring Musical Debut

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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