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Thunderpussy © Christine Mitchell
Features, Interviews, MusicJuly 30, 2019<August 22, 2019

Feature: Thunderpussy Sink Their Claws into Rock and Roll

by Anthony Kozlowski
Trenton © Ry Cox
Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Trenton’s Stirring “Answers” Makes Peace with Uncertainty

by Mitch Mosk
Stella Emmett © Joseph Charles Viola
Debut, Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U”

by Mitch Mosk
Mdou Moctar © Jon Behm
Concerts, Music, ReviewsJuly 30, 2019<July 30, 2019

Live Review: Mdou Moctar Takes Crowd on Magical Journey at Halifax Jazz Fest

by Oliver Crook
Adam Melchor © Danny Spadaro
Columns, Music, Today's SongJuly 30, 2019<July 25, 2019

Today’s Song: Adam Melchor’s Bittersweet Summer Joyride

by Audrey Steeves
FENCES © Christian Sorenson Hansen
Music, Music Videos, PremieresJuly 29, 2019<July 29, 2019

Premiere: FENCES’ Stirring American Western “Same Blues”

by Mitch Mosk
Temptress
Features, Interviews, MusicJuly 29, 2019<July 29, 2019

Naked & Deep Pop: A Conversation with Temptress

by Kelsey Fitzgerald
Love + Fear - MARINA
Music, ReviewsJuly 29, 2019<July 29, 2019

Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’

by Ben Niesen
Concerts, Festival, Music, ReviewsJuly 29, 2019<July 29, 2019

The Ultimate Matriarchal Experience: British Summertime Festival 2019

by Hermione Kellow
Taylor Swift
Columns, Music, Today's SongJuly 29, 2019<August 17, 2019

Taylor Swift’s “The Archer” Is an Emotionally Self-Reflective Preview for ‘Lover’

by Melanie Lustig
Atwood Magazine's Weekly Roundup
Columns, Features, Music, Weekly RoundupJuly 26, 2019<July 26, 2019

Atwood Magazine’s Weekly Roundup: July 26, 2019

by Atwood Magazine Staff
Bastille
Features, Interviews, MusicJuly 26, 2019<September 19, 2019

The Glimmering Light of Our ‘Doom Days’: A Conversation with Bastille

by Mitch Mosk
Relick 2019 1
Features, Interviews, MusicJuly 26, 2019<July 26, 2019

Premiere: Relick Inject Light & Raw Energy into New Song “Powder Pink”

by Mitch Mosk
Interviews, Music, ReviewsJuly 26, 2019<December 21, 2024

A Beautiful Marriage of Vintage and Modern: A Conversation with Weird Milk

by Adrian Vargas
Kid Froopy © 2017
Columns, Music, Today's SongJuly 26, 2019<July 26, 2019

Kid Froopy Puts His Spin on Lostboycrow’s “Orange Juice (Summer Squeeze Mix)”

by Alex Killian
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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