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Without Fear - Dermot Kennedy
Debut, Music, ReviewsOctober 25, 2019<October 24, 2019

Review: Dermot Kennedy Forges His Own Path on Debut Album ‘Without Fear’

by Erica Danielle Garcia
Myylo
Columns, Music, Today's SongOctober 25, 2019<October 25, 2019

Today’s Song: Myylo Stands Up Against Toxic Masculity in Latest Single “Sad Boys”

by Alicia Bugallo
The 1975
Music, Reviews, This Just InOctober 25, 2019<October 25, 2019

The 1975 Address Social Anxiety on New Single “Frail State of Mind”

by Madison Vettorino
Marinho © Marta Olive
Debut, Features, Interviews, MusicOctober 24, 2019<October 24, 2019

Interview: Marinho Dives into her Intimately Vulnerable Debut Album ‘~’

by Mitch Mosk
Will Samson © Desiree Rousseau
Music, PremieresOctober 24, 2019<October 24, 2019

Premiere: Will Samson Blends Grief & Bliss into Ethereal New Song “Flowerbed”

by Mitch Mosk
Kaleb Mitchell
Interviews, MusicOctober 24, 2019<October 24, 2019

Patience and Internet-Savviness Rewarded: A Conversation with Kaleb Mitchell

by Josh Weiner
Columns, Music, Today's SongOctober 24, 2019<October 23, 2019

Today’s Song: Elliot Moss Fights Anxieties and Builds a “Barricade”

by Maggie McHale
Melt Yourself Down
Concerts, MusicOctober 24, 2019<October 23, 2019

Live Review: Melt Yourself Down’s Magnetic Show Dazzles at London’s Studio 9294

by Luke Pettican
Will Orchard © Julia Fiengold
Music, PremieresOctober 23, 2019<June 17, 2025

Premiere: “Turning Back Again” Marks a Sweet New Start for Will Orchard

by Mitch Mosk
Sawyer © Daniel Chaney
Music, PremieresOctober 23, 2019<October 23, 2019

EP Premiere: Sawyer Shine Bright in Buoyant & Bold EP ‘Less Than More Than’

by Mitch Mosk
Ro Bergman © Rene Hundertpfund
Debut, Music, PremieresOctober 23, 2019<October 23, 2019

EP Premiere: Ro Bergman Embarks on a ‘New Horizon’ in Dynamic Debut EP

by Mitch Mosk
LEYMA © Kiran Gidda
Features, Interviews, MusicOctober 23, 2019<October 23, 2019

Doing It His Own Way: A Conversation with Leyma

by Nicole Almeida
Beauts
Columns, Music, Today's SongOctober 23, 2019<October 23, 2019

Today’s Song: Beauts’ New Video for “Drifters, All” Is a Love Letter to Cinema

by Oliver Crook
Hedara
Music, PremieresOctober 23, 2019<October 23, 2019

Premiere: Palpable Chemistry in Hedara’s New Song “Love Can Make Me Hate You”

by Ben Beamish
Opeongo © 2019
Debut, Music, PremieresOctober 22, 2019<October 22, 2019

Album Premiere: Opeongo’s Debut ‘Miasma’ Is a Rich, Anxiety-Riddled Folk Tapestry

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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