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Bluebiird, Emily Osment © Adam Goldberg
Debut, Features, Interviews, MusicOctober 2, 2019<December 5, 2019

Feature: Emily Osment Soars as Bluebiird in Stirring Musical Debut

by Mitch Mosk
Freya Ridings © Jamie Rowan
Features, Interviews, MusicOctober 2, 2019<October 2, 2019

Breaking Through on Her Own Terms: An Interview with Freya Ridings

by Luke Pettican
Easypeel
Music, PremieresOctober 2, 2019<October 2, 2019

Premiere: Easypeel’s “Honey Glazed” Is a Bittersweet Ride

by Ben Beamish
Half Wolf
Columns, Music, Today's SongOctober 2, 2019<October 2, 2019

Today’s Song: Half Wolf Enchants with Empowering New Single “Cigarette Smoke”

by Adrian Vargas
Campsie © Joshua Onabowu
Debut, Music, PremieresOctober 1, 2019<October 1, 2019

Premiere: London’s Campsie Debuts with Intimate Indie Pop Upheaval “I’m Gone”

by Mitch Mosk
Interviews, Music, ReviewsOctober 1, 2019<October 1, 2019

The Contrasting Narratives of Bleakness & Charm: A Conversation with The Golden Dregs

by Adrian Vargas
Music, Podcast, Tunes & TumblersOctober 1, 2019<April 30, 2023

Podcast: Tunes & Tumblers “Stop Making Sense” with Talking Heads

by Anthony Kozlowski
Atwood Magazine Editor's Picks 23
Editor's Picks, Features, MusicOctober 1, 2019<October 16, 2019

Editor’s Picks: October 1, 2019

by Mitch Mosk
10
Music, Our Take, ReviewsOctober 1, 2019<December 15, 2020

Our Take: Foy Vance’s ‘To Memphis’ Is the Record for Your Soul

by Erica Danielle Garcia
Naaz
Columns, Music, Reviews, Today's SongOctober 1, 2019<October 1, 2019

Today’s Song: Naaz Delves Deeply into Her “Damage”

by Luke Pettican
GRAE music © Lizzie O’Donnell
Features, Interviews, MusicSeptember 30, 2019<April 15, 2022

Passion, Anger, and Empowerment: Inside GRAE’s Anthemic “Woman’s World”

by Mitch Mosk
Brightside
Music, PremieresSeptember 30, 2019<September 30, 2019

Premiere: Pittsburgh’s Brightside Get the Blood Pumping with “Just Like Dancing”

by Mitch Mosk
Desmerelda
Essays, Music, ReviewsSeptember 30, 2019<September 30, 2019

Editorial: Music Induced Memories with Desmerelda’s “Tango with the Hypnotist”

by Adrian Vargas
Litany © Marieke Macklon // Love Letter
Music, Reviews, This Just InSeptember 30, 2019<May 20, 2021

This Just In: Litany’s Sweet N’ Spicy “Love Letter” Hurts Just Right

by Mitch Mosk
Soccer Mommy © Brian Ziff
Columns, Music, Today's SongSeptember 30, 2019<September 30, 2019

Today’s Song: Soccer Mommy Examines Her Devilish Side on “lucy”

by Nicole Almeida
Posts pagination
1 … 486 487 488 489 490 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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