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American Football © Atiba Jefferson
Features, Interviews, MusicApril 16, 2019<April 30, 2019

Muscle Memory: An Interview with American Football

by James Crowley
Mia Schuster "Land" © 2019
Debut, Music, PremieresApril 15, 2019<April 15, 2019

Premiere: Mia Schuster Takes Flight in Debut “Land”

by Mitch Mosk
Nick Cianci © CJ Moy
Music, PremieresApril 15, 2019<April 15, 2019

Premiere: Moving On with Nick Cianci’s Driving “The Night We Crashed Your Dad’s Car”

by Mitch Mosk
Fieh © Jonathan Vivaas Kise
Columns, Debut, Music, Today's SongApril 15, 2019<April 12, 2019

Today’s Song: Fieh Bewitch with the Ingeniously Inventive “25”

by Luke Pettican
Atwood Magazine's Weekly Roundup 2019-04-12
Columns, Features, Music, Weekly RoundupApril 12, 2019<April 30, 2019

Atwood Magazine’s Weekly Roundup: April 12, 2019

by Atwood Magazine Staff
Modest Mouse © James Joiner
Music, ReviewsApril 12, 2019<April 12, 2019

Modest Mouse’s “Poison the Well” Is Laser-Focused Venom at the Powerful and Cruel

by Danny Vagnoni
when we all fall asleep where do we go
Debut, Features, Music, Reviews, RoundtableApril 12, 2019<March 2, 2025

Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’

by Atwood Magazine Staff
Clock Work - Bedouin Soundclash
Music, Music Videos, PremieresApril 12, 2019<April 12, 2019

Premiere: Basking in Bedouin Soundclash’s Infectious, Sunny “Clock Work”

by Mitch Mosk
The "Don't Hate Me" video finds Corey Harper set against a blank canvas, leaning on his music as the primary driver of self-expression.
Music, Music Videos, PremieresApril 12, 2019<April 30, 2019

Premiere: Corey Harper’s Catchy “Don’t Hate Me” Radiates Heartache & Passion

by Mitch Mosk
Elliah Heifetz © Marcus Maddox
Music, PremieresApril 11, 2019<April 11, 2019

Premiere: Welcoming Change with Elliah Heifetz’s Majestic “I’m Over Now”

by Mitch Mosk
Dog Whistle - Show Me the Body
Music, Our Take, ReviewsApril 11, 2019<April 11, 2019

Our Take: Show Me the Body’s ‘Dog Whistle’ Is an Exhilarated Call for Community

by Matthew Dunn
Tirzah © Clare Shilland
Columns, Music, Today's SongApril 11, 2019<August 5, 2021

Today’s Song: Tirzah’s “Do You Know” Assembles Textures into an Amorphous Mantra

by Atwood Magazine Staff
Hayley Taylor © Shervin Lainez
Music, PremieresApril 10, 2019<April 10, 2019

Premiere: Hayley Taylor Shines in Vulnerable Return “Falling Hard”

by Mitch Mosk
Fontaines D.C. © Daniel Topete
Debut, Features, Interviews, MusicApril 10, 2019<April 30, 2019

Feature: Fontaines D.C. Channel Past Poets to Ponder Ireland’s Future in Debut ‘Dogrel’

by Oliver Crook
Elle Azar © Ezra Cohen
Columns, Music, Today's SongApril 10, 2019<April 10, 2019

Today’s Song: The Tragedy & Beauty of Ioanna Gika’s Elegant Odyssey “Swan”

by Kareem Ghezawi
Posts pagination
1 … 525 526 527 528 529 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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