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Lauran Hibberd
Columns, Music, Reviews, Today's SongApril 25, 2019<April 25, 2019

Artist to Watch: Lauran Hibberd Emerges with Savage Charm in “Hoochie”

by Mitch Mosk
Simulated Sun © Anna Azarov
Music, PremieresApril 24, 2019<April 24, 2019

Premiere: Simulated Sun’s Urgent Prog Rock Fire “Castles”

by Mitch Mosk
Savoir Adore © Shervin Lainez
Features, Interviews, MusicApril 24, 2019<April 24, 2019

Feature: The New Savoir Adore Flourish in ‘Full Bloom’

by Danny Vagnoni
Son of Cloud © Julia Hembree
Music, Music Videos, PremieresApril 24, 2019<April 24, 2019

Premiere: Son of Cloud’s Romantic Lessons in “How to Love You Today”

by James Crowley
William Harries Graham © Todd V. Wolfson
Music, Music Videos, PremieresApril 24, 2019<April 24, 2019

Premiere: William Harries Graham’s “Seattle” Is a Gloomy but Freeing Ode to Lost Love

by Frankie Rose
Keith Johns
Music, PremieresApril 24, 2019<April 24, 2019

Premiere: Keith Johns’ “Runaway” and “Hold on to Me” Are a Pound of Rock and a Pound of Flow

by Ilana Kalish
LÉON © Nicole Almeida
Concerts, Music, ReviewsApril 24, 2019<April 24, 2019

Live Review: LÉON Brings Her World to Life at The Foundry in Philadelphia

by Nicole Almeida
Rina Mushonga © 2019
Features, Interviews, MusicApril 23, 2019<April 18, 2019

Journeying Through Time and Genres: A Conversation With Rina Mushonga

by Frankie Rose
Ruby - Mat Kerekes
Music, ReviewsApril 22, 2019<April 19, 2019

Review: Mat Kerekes Exceeds Expectations with the Tangible World in ‘Ruby’

by Danielle Chelosky
American High © 2019
Music, ReviewsApril 22, 2019<April 22, 2019

Get High on Social Change and Radical Positivity with American High’s ‘U.N. Article 14’

by Carolyn Fasone
© Kelsy Karter 2018
Features, Interviews, MusicApril 22, 2019<July 3, 2019

It’s Tough Out Here for a Rock Star: A Conversation with Kelsy Karter

by Anthony Kozlowski
Roundup 0419
Columns, Features, Music, Weekly RoundupApril 19, 2019<April 20, 2019

Atwood Magazine’s Weekly Roundup: April 19, 2019

by Atwood Magazine Staff
Charlotte Lawrence © 2019
Concerts, Music, ReviewsApril 19, 2019<April 19, 2019

Live: Charlotte Lawrence Beguiles and Bewitches at Manchester’s Deaf Institute

by Luke Pettican
Dayla © Camille Luciani
Columns, Debut, Music, Today's SongApril 19, 2019<April 18, 2019

Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer”

by Meredith Nardino
Destroyer - TR/ST
Music, Our Take, ReviewsApril 19, 2019<April 19, 2019

Our Take: Robert Alfons Bares His Soul on TR/ST’s ‘The Destroyer – 1’

by Kareem Ghezawi
Posts pagination
1 … 523 524 525 526 527 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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