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Calan Mai music
Music, PremieresFebruary 28, 2019<February 28, 2019

Premiere: Calan Mai’s Catchy “Friend of a Friend,” a Tender Love Song to an Ex

by Mitch Mosk
I'm Set by Baby Boys
Debut, Music, ReviewsFebruary 28, 2019<February 28, 2019

EP Review: Baby Boys Reinvent the Creative Process on Debut EP ‘I’m Set’

by Meredith Nardino
Tommy 2019
Features, Interviews, MusicFebruary 28, 2019<February 28, 2019

Interview: Tommy Tackles Desolate Desperation with “Pyre”

by Luke Pettican
Vesper Wood © Imani Givertz
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

Premiere: The Hauntingly Intimate Empowerment of Vesper Wood’s “The Wall”

by Mitch Mosk
Girls Like Me
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

The Importance of Expressing Our Vulnerable Side with Fiona Grey’s “Girls Like Me”

by Frankie Rose
Matthew Pinder
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Tender Ache of Matthew Pinder’s “Break My Heart and Let Me Go” ft. Molly Bush

by Mitch Mosk
Sticky Fingers - Yours to Keep Album Art
ReviewsFebruary 27, 2019<February 28, 2019

Review: Sticky Fingers Pull Back the Veil in ‘Yours to Keep’

by James Meadows
The Desert Bitterness still
Music, Music Videos, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Desert Find Strength in Sadness with “Bitterness”

by Luke Pettican
Travis Hayes 2019
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Stirring Nostalgia of Travis Hayes’ Rich “Empty Orchestra”

by Mitch Mosk
Tiny Hueman © 2019
Columns, Music, Today's SongFebruary 27, 2019<February 27, 2019

Creative Democracy: A Conversation with Tiny Hueman

by Danny Vagnoni
Meadowlark © Felix Russel Shaw
Columns, Music, Today's SongFebruary 27, 2019<February 26, 2019

Today’s Song: Meadowlark Embark on an Introspective Journey with “H.I.T.H.”

by Alicia Bugallo
As It Is © Ian Coulson
Features, Interviews, MusicFebruary 26, 2019<July 19, 2021

Emotionally Intelligent Songs: A Conversation with Patty Walters of As It Is

by James Crowley
Paper Jackets © 2019
Interviews, Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Video Premiere: Paper Jackets Set Off in Impassioned Anthem “Trigger”

by Mitch Mosk
Lost Leaders 2019
Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Satisfy Yourself with Lost Leaders’ Catchy Critique, “People Like Us”

by Mitch Mosk
Gold Connections 2019
Music, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Gold Connections’ “Locust Days” Is a Pace Through the Whirlwind of Life

by Frankie Rose
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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© Atwood Magazine 2024 For the Love of Music
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