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Ryan Von Gonten © 2019
Music, Music Videos, PremieresMarch 4, 2019<June 7, 2024

Premiere: The Hazy Bloom of Ryan Von Gonten’s “Corpse Flower”

by Mitch Mosk
Mazy Fly - SPELLLING
Music, Our Take, ReviewsMarch 4, 2019<March 4, 2019

Our Take: Spellling’s ‘Mazy Fly’ Will Make You Believe in Magic

by Matthew Dunn
XYLØ © Nikko LaMere
Debut, Features, Interviews, MusicMarch 4, 2019<March 4, 2019

Sad Glamour: A ‘Pretty Sad’ Interview with XYLØ

by Caitlin Ison
Dear Seattle © Pat O'Hara
Columns, Music, Today's SongMarch 4, 2019<March 4, 2019

Today’s Song: Australia’s Dear Seattle Bring Modern Sensibility to Old School Pop Punk with “Homegrown”

by James Crowley
Music, Reviews, This Just InMarch 1, 2019<March 8, 2019

This Just In: Tank and The Bangas’ New Banger, “Ants”

by Mariel Fechik
Atwood Magazine's Weekly Roundup 3-01-2019 art
Columns, Features, Music, Weekly RoundupMarch 1, 2019<March 20, 2019

Atwood Magazine’s Weekly Roundup: March 1, 2019

by Atwood Magazine Staff
The Japanese House Lilo
Features, Interviews, MusicMarch 1, 2019<March 20, 2019

Feature: Falling for The Japanese House

by Nicole Almeida
Deep Water - Cape Francis
Music, Premieres, ReviewsMarch 1, 2019<March 2, 2019

Album Premiere: Cape Francis’ ‘Deep Water’ Is Raw Alternative Bliss

by Mitch Mosk
Maria Neckam © Danielle Quintanilla
Music, Music Videos, PremieresMarch 1, 2019<February 28, 2019

Premiere: Maria Neckam is Unafraid of Change in “Familiar”

by Caitlin Ison
Cat Clyde © 2019
Music, Today's SongMarch 1, 2019<February 28, 2019

Today’s Song: Cat Clyde Provides a Dark & Meditative Voyage with “All the Black”

by Adrian Vargas
Quelle Rox © Kelli McGuire
Music Videos, PremieresMarch 1, 2019<February 28, 2019

Premiere: Quelle Rox’s “Tired” Turns Fatigue into a Lusciously Hypnotic Celebration

by Frankie Rose
Donovan Woods © Matt Barnes
Features, Interviews, MusicFebruary 28, 2019<March 20, 2019

The Anxious, Liminal Life on the Road: An Interview with Donovan Woods

by Mitch Mosk
James Blake 2019 © Nicole Almeida
Concerts, Music, ReviewsFebruary 28, 2019<February 28, 2019

Live: James Blake’s Ravishing Minimalism Captivates Philadelphia

by Nicole Almeida
The Next Great American Novelist © Shervin Lainez
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

Premiere: The Next Great American Novelist Return with Infectiously Alternative “Blackberry”

by Mitch Mosk
Head for the Hills © Cynthia Wilson
Music, PremieresFebruary 28, 2019<February 28, 2019

Premiere: Head for the Hills Chase the Daylight on “Darkness Meets the Day”

by Anthony Kozlowski
Posts pagination
1 … 526 527 528 529 530 … 728

Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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