• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Sticky Fingers - Yours to Keep Album Art
ReviewsFebruary 27, 2019<February 28, 2019

Review: Sticky Fingers Pull Back the Veil in ‘Yours to Keep’

by James Meadows
The Desert Bitterness still
Music, Music Videos, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Desert Find Strength in Sadness with “Bitterness”

by Luke Pettican
Travis Hayes 2019
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Stirring Nostalgia of Travis Hayes’ Rich “Empty Orchestra”

by Mitch Mosk
Tiny Hueman © 2019
Columns, Music, Today's SongFebruary 27, 2019<February 27, 2019

Creative Democracy: A Conversation with Tiny Hueman

by Danny Vagnoni
Meadowlark © Felix Russel Shaw
Columns, Music, Today's SongFebruary 27, 2019<February 26, 2019

Today’s Song: Meadowlark Embark on an Introspective Journey with “H.I.T.H.”

by Alicia Bugallo
As It Is © Ian Coulson
Features, Interviews, MusicFebruary 26, 2019<July 19, 2021

Emotionally Intelligent Songs: A Conversation with Patty Walters of As It Is

by James Crowley
Paper Jackets © 2019
Interviews, Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Video Premiere: Paper Jackets Set Off in Impassioned Anthem “Trigger”

by Mitch Mosk
Lost Leaders 2019
Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Satisfy Yourself with Lost Leaders’ Catchy Critique, “People Like Us”

by Mitch Mosk
Gold Connections 2019
Music, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Gold Connections’ “Locust Days” Is a Pace Through the Whirlwind of Life

by Frankie Rose
Melody's Echo Chamber © Diane Sagnier
Music, ReviewsFebruary 26, 2019<February 26, 2019

Review: Melody’s Echo Chamber’s ‘Bon Voyage’, a Psychedelic Journey of Human Struggle & Self Reflection

by Hermione Kellow
Editor's Picks 02-25-2019
Columns, Editor's Picks, Features, MusicFebruary 25, 2019<March 20, 2019

Editor’s Picks: February 25, 2019

by Mitch Mosk
Good Air - Nap League
Music, Music Videos, PremieresFebruary 25, 2019<February 25, 2019

Premiere: Good Air’s Hazy, Intimate “Nap League” Embraces the Beauty in Simplicity

by Mitch Mosk
J.S. Ondara © Josh Cheuse
Debut, Music, ReviewsFebruary 25, 2019<February 25, 2019

Review: J.S. Ondara Understands America Way Better Than We Do on Debut ‘Tales of America’

by Oliver Crook
Broken Social Scene 2019 1
Columns, Music, Today's SongFebruary 25, 2019<August 1, 2023

Today’s Song: Broken Social Scene Are Enchantingly Chaotic with Lovelorn Jam “Boyfriends”

by Abby Jones
Ariana Grande - thank u, next
Features, Music, Reviews, RoundtableFebruary 22, 2019<June 29, 2024

Roundtable Discussion: A Review of Ariana Grande’s ‘thank u, next’

by Atwood Magazine Staff
Posts pagination
1 … 527 528 529 530 531 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services