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"Deer Head" by Megan Nash
Music, Music Videos, PremieresApril 5, 2019<April 5, 2019

Premiere: Megan Nash’s “Deer Head” Is a Raw, Aching Anthem for the Heavy-Hearted

by Mitch Mosk
Everything Not Saved Will Be Lost - Part 1 - Foals
Music, Reviews, Track-by-TrackApril 5, 2019<April 5, 2019

The Long-Awaited Return of Foals: A Band Who Only Get Better with Age

by Hermione Kellow
The Black Keys © Alysse Gafkjen
Features, Music, ReviewsApril 5, 2019<April 5, 2019

The Black Keys Are Back! What Does That Mean?

by Anthony Kozlowski
girl in red © Jonathan Vivaas Kise
Columns, Music, Today's SongApril 5, 2019<April 5, 2019

Perceive Youth & Adolescent Predilections Differently with girl in red’s “Say Anything”

by Jesse Herb
No Saviors EP - CLAVVS
Music, Reviews, Track-by-TrackApril 4, 2019<April 4, 2019

Track-by-Track: The Intimate Seduction of CLAVVS’ ‘No Saviors’ EP

by Mitch Mosk
The Away Days © 2019
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Dream Pop Duo The Away Days Return with Poignant & Soaring “Designed”

by Mitch Mosk
Sego Sucks
Music, Reviews, Track-by-TrackApril 4, 2019<April 4, 2019

Track-by-Track: Sego Crush Expectations with Sophomore LP ‘Sego Sucks’

by Coco Rich
All I Do Is Bleed - Patrick Ames
Music, ReviewsApril 4, 2019<April 4, 2019

EP Review: Take It Easy with Patrick Ames’ ‘All I Do Is Bleed’

by Carolyn Fasone
Catfish and the Bottlemen © 2015
Columns, Music, Reviews, Today's SongApril 4, 2019<April 4, 2019

Catfish and the Bottlemen’s “Tyrants” Will Always Be the Perfect Closing Song

by Monica Mellon
Mike Mains & The Branches © Elijah VanDine
Features, Interviews, MusicApril 4, 2019<April 4, 2019

Coated in Sugar: A Conversation with Mike Mains & The Branches

by James Crowley
ladysse © Raymond Rivard
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Ladysse Portrays the Lesser-Known Side of Fame in “Heartbreak Hollywood”

by Alicia Bugallo
Aisha Badru © Melissa Ann Photography
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Aisha Badru’s “Enough” Encourages Strength During Moments of Sadness

by Frankie Rose
Anima & Ennui © Jay Messenger
Debut, Music, PremieresApril 3, 2019<April 3, 2019

Premiere: Anima & Ennui Embrace Life in Haunting Debut “Nothing Better”

by Mitch Mosk
Brillboard 2019-04-03
Brillboard, Music, PlaylistsApril 3, 2019<April 3, 2019

The Brillboard: Space, 04/03/2019

by Jason Brillon
Mosa Wild © Hollie Fernando
Columns, Music, Today's SongApril 3, 2019<April 18, 2019

Today’s Song: Mosa Wild Magnetize with Endlessly Alluring “Night”

by Luke Pettican
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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