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The National Lights
Music, PremieresJanuary 24, 2019<January 24, 2019

Premiere: “Lantern and Whalebone,” The National Lights’ Nautical Reflection

by Mitch Mosk
Hannie © 2019
Music, Premieres, ReviewsJanuary 24, 2019<January 24, 2019

Premiere: Sing Your Heart Out to HANNIE’s “Drama”

by Mitch Mosk
The Weight of Melted Snow - French For Rabbits
Features, Music, PremieresJanuary 24, 2019<October 17, 2019

Album Premiere: Heartbreak & Mending in French for Rabbits’ Achingly Beautiful ‘The Weight of Melted Snow’

by Mitch Mosk
Chain Wallet © Øyvind Halsøy
Music, PremieresJanuary 24, 2019<January 23, 2019

Premiere: Chain Wallet Hypnotize with “World I Used to Call Mine”

by Luke Pettican
mike war in my pen
Music, ReviewsJanuary 23, 2019<August 5, 2021

Review: On ‘War in My Pen’ MIKE Dares Listeners to Embrace the Dread Beneath the Surface

by Atwood Magazine Staff
Raquel Bell Who Gets To Name The Name still
Columns, Music, PremieresJanuary 23, 2019<January 23, 2019

Premiere: Hopes, Dreams, and Strawberries in Raquel Bell’s Waltz “Who Gets to Name the Name”

by Mitch Mosk
Brillboard 2019-01-22
Brillboard, Music, PlaylistsJanuary 23, 2019<January 23, 2019

The Brillboard: Cozy, 01/23/2019

by Jason Brillon
Gary Clark Jr. © Frank Maddocks
Columns, Music, Today's SongJanuary 23, 2019<January 23, 2019

Today’s Song: Gary Clark Jr. Raises His Fist and His Voice on “This Land”

by Oliver Crook
Editor's Picks 01-21-2019
Columns, Editor's Picks, Features, MusicJanuary 22, 2019<January 30, 2019

Editor’s Picks: January 21, 2019

by Mitch Mosk
Star Rover by Shervin Lainez
Music, Music Videos, PremieresJanuary 22, 2019<January 22, 2019

Watch: Exploring ‘Almost’ in Star Rover’s Glitchy, Beachy “Byron Bay”

by Mitch Mosk
Angelo de Augustine - Tomb Cover Art
Music, ReviewsJanuary 22, 2019<January 22, 2019

Review: Angelo de Augustine Turns Heartbreak & its Collateral Damage into Beauty in ‘Tomb’

by Nicole Almeida
Say Anything 2019
Columns, Music, Today's SongJanuary 22, 2019<January 22, 2019

Today’s Song: The Thrills and Pills of Say Anything’s “Pink Snot”

by James Crowley
The Proud Sons © Francesca Ludikar
Music, Music Videos, PremieresJanuary 21, 2019<January 21, 2019

Premiere: Embracing Heartache in The Proud Sons’ Radiant “Company”

by Mitch Mosk
Rhys Lewis © 2019
Columns, Music, Today's SongJanuary 21, 2019<January 21, 2019

Today’s Song: Rhys Lewis’ “Better Than Today” Finds Reassurance in the Whirlwind of Life

by Luke Pettican
Atwood Magazine's Weekly Roundup 1-18-2019
Columns, Features, Music, Weekly RoundupJanuary 18, 2019<January 18, 2019

Atwood Magazine’s Weekly Roundup: January 18, 2019

by Atwood Magazine Staff
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Brand New

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

:: discover something new ::

Recent Posts

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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