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VHS Collection © Shervin Lainez
Music, PremieresFebruary 7, 2019<February 7, 2019

VHS Collection’s Euphoric Anthem “Dreaming” Inspires Self-Confidence

by Mitch Mosk
Gregory Dillon © Curtis S. Brown
Music, PremieresFebruary 7, 2019<February 7, 2019

Premiere: Queer Connection in a Digital World with Gregory Dillon’s “Alien Boyfriend”

by Alex Killian
johnnyswim © 2019
Music, Music Videos, PremieresFebruary 7, 2019<February 7, 2019

Video Premiere: “Bridges” Is the Artistic Embodiment of JOHNNYSWIM

by Kelly McCafferty Dorogy
stella donnelly
Columns, Music, Today's SongFebruary 7, 2019<February 7, 2019

Today’s Song: Stella Donnelly Bites Back on “Old Man”

by Shayna Chabrow
Editor's Picks 02-04-2019
Columns, Editor's Picks, Features, MusicFebruary 6, 2019<February 19, 2019

Editor’s Picks: February 4, 2019

by Mitch Mosk
Clara Baker © Amanda Long
Music, PremieresFebruary 6, 2019<February 6, 2019

Premiere: The Haunting Warmth of Clara Baker’s “Middle of the Night”

by Mitch Mosk
An Opening - Minor Moon
Debut, Music, PremieresFebruary 6, 2019<February 6, 2019

Album Premiere: Minor Moon’s ‘An Opening’ Is a Stunning Plea for Hope During Tumultuous Times

by Oliver Crook
Jackie Charles © Knut Åserud
Music, PremieresFebruary 6, 2019<February 6, 2019

Premiere: Jackie Charles Ponder the Past with “Time Travel”

by Luke Pettican
Late Riser - Frances Cone
Features, Interviews, MusicFebruary 6, 2019<February 24, 2025

Interview: Frances Cone Breathe New Life into a Suffocating World with ‘Late Riser’

by Coco Rich
Brillboard 2019-02-06
Brillboard, Music, PlaylistsFebruary 6, 2019<February 6, 2019

The Brillboard: Communication, 02/06/2019

by Jason Brillon
Oh God There Is So Much Love In Me - Kelso
Music, Reviews, This Just InFebruary 6, 2019<February 5, 2019

This Just In: Oh God, There Is So Much Love in Kelso’s New Single

by James Crowley
Sharon Van Etten © Ryan Pfluger
Music, Our Take, ReviewsFebruary 5, 2019<February 17, 2019

Our Take: Sharon Van Etten’s ‘Remind Me Tomorrow’ Is a Fearless Step into a Bold New Sound

by Adrian Vargas
Variety Hour - Deidre & The Dark art
Debut, Music, Premieres, ReviewsFebruary 5, 2019<February 5, 2019

Album Premiere: Deidre & The Dark’s Debut ‘Variety Hour’ Is Free, Fun, and Classic

by Mitch Mosk
VC Pines © Betty Oxlade Martin
Columns, Music, Today's SongFebruary 5, 2019<February 5, 2019

Today’s Song: The Sultry Vocals & Sounds of VC Pines’ “Vixen”

by Caitlin Ison
Earthquake Lights © Shervin Lainez
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Earthquake Lights’ Sweet, Smooth, and Emotionally Raw “May Day”

by Mitch Mosk
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Brand New

  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return

:: discover something new ::

Recent Posts

  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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