Music, Music Videos, PremieresSeptember 21, 2018<September 21, 2018 Premiere: The Fierce, Indulgent Energy of Broken Baby’s “It’s My Show!” Video by Mitch Mosk
Features, Interviews, MusicSeptember 21, 2018<October 10, 2018 Feature: Transviolet’s Journey of Liberation and Resilience by Atwood Magazine Staff
Debut, Features, Interviews, MusicSeptember 21, 2018<November 7, 2018 Sunshine in the Mind: An Interview with Jagwar Twin by Mitch Mosk
Music, PremieresSeptember 20, 2018<September 20, 2018 Premiere: The Hypnotic Freedom of Greg Wanders’ Moving “Unbound” by Mitch Mosk
Music, Music Videos, PremieresSeptember 20, 2018<September 20, 2018 Premiere: Family, Façades, and Jake Tavill’s Fierce “Truth” Video by Mitch Mosk
Debut, Features, Music, PremieresSeptember 20, 2018<September 20, 2018 Album Premiere: Coyle Girelli’s Beautiful, Dark Masterpiece ‘Love Kills’ by Mitch Mosk
Music, PremieresSeptember 20, 2018<September 20, 2018 Premiere: The Stirring Sentiment of Harry Strange’s Beautifully Vulnerable “Signs” by Luke Pettican
Features, Music, PremieresSeptember 20, 2018<September 20, 2018 Album Premiere: The Last Bison Sprint Full Speed Down Memory Lane in ‘SÜDA’ by Audrey Steeves
Features, Music, ReviewsSeptember 19, 2018<September 19, 2018 EP Review: Amir Obé’s Intimate Confessional, ‘Can’t Be A ____ Here: Chapter 1’ by Urooj Ali Rizvi
Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018 Premiere: Piqued Jacks Erupt with Glitchy, Self-Reflective “Loner VS Lover” by Mitch Mosk
Columns, Music, Today's SongSeptember 18, 2018<September 18, 2018 Today’s Song: Litany Take Us Back to the ’90s with “Call on Me” by Kelsey Fitzgerald
Features, Interviews, MusicSeptember 18, 2018<September 19, 2018 Interview: Foxing’s ‘Nearer My God’ Is a Siren Sound for Those Wanting to Belong by Sara Santora
Debut, Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018 Meaning and Value in Dan Too’s Hearty Debut “Isis and Osiris” by Mitch Mosk
Music, PremieresSeptember 18, 2018<September 18, 2018 Premiere: Finding Connection in Chris Ayer’s Vulnerable, Raw “Stranger” by Mitch Mosk
Features, Interviews, MusicSeptember 17, 2018<September 19, 2018 Eclectic Theatricality: A Conversation with Hellions by James Crowley
For the Love of Music
For the Love of Music
