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Betty, Pt. 1 - Betty Who 2019
Columns, Music, Today's SongJanuary 31, 2019<February 6, 2019

Today’s Song: Betty Who Lends a Hand on “Friend Like Me”

by Anthony Kozlowski
Screenshot from Peace Playing 1998 On A Roof © 2019
Essays, MusicJanuary 30, 2019<January 30, 2019

A Dumpster of Thoughts on Writing, Music, and Peace Playing “1998” on a Roof

by Lindsay Call
Editor's Picks 01-28-2019
Columns, Editor's Picks, Features, MusicJanuary 30, 2019<March 19, 2019

Editor’s Picks: January 28, 2019

by Mitch Mosk
The Japanese House © courtesy of the artist
Music, ReviewsJanuary 30, 2019<September 13, 2022

Two Steps Forward & One Step Back with The Japanese House’s “Maybe You’re the Reason”

by Jesse Herb
Georgia Meek © Alex Cullen
Music, PremieresJanuary 30, 2019<March 12, 2026

Premiere: Pressure & Sacrifice in Georgia Meek’s Passionate Anthem “Pray”

by Mitch Mosk
FIDLAR © David Black
Features, Interviews, MusicJanuary 30, 2019<June 3, 2019

Interview: FIDLAR’s Zac Carper Ventures into Uncharted Territory on ‘Almost Free’

by Nick Baron
exes x jome press photo
Music, Premieres, ReviewsJanuary 30, 2019<February 19, 2019

Premiere: Coping with Grief in EXES & JOME’s Poignant “Stay Still”

by Mitch Mosk
Beirut © Olga Baczynska
Music, Today's SongJanuary 30, 2019<January 30, 2019

Today’s Song: Beirut Delivers a Tense, Expansive Musical Journey with “Landslide”

by Adrian Vargas
Brillboard 1/30/2019
Brillboard, Music, PlaylistsJanuary 30, 2019<February 5, 2019

The Brillboard: Blue, 01/30/2019

by Jason Brillon
Gypsy Temple by Travis Trautt
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Majesty and Passion in Gypsy Temple’s Uplifting “Pick a Number”

by Mitch Mosk
Catharine Daddario stars in Wyland's "Nowhere Now" video
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Discovery & Transformation in Wyland’s Cinematic “Nowhere Now” Video

by Mitch Mosk
Margot © Ben Andrewes
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Margot’s Driving “Coffee Stained Scars” Evokes Isolation, Disconnect, & Alone Time

by Mitch Mosk
Foals © Alex Knowles
Columns, Music, Today's SongJanuary 29, 2019<January 29, 2019

Today’s Song: Swagger & Spiritual Claustrophobia in Foals’ “Exits”

by Danny Vagnoni
why hasn't everything already disappeared - deerhunter
Music, Our Take, ReviewsJanuary 28, 2019<January 28, 2019

Our Take: Deerhunter Dissolve the Formula in ‘Why Hasn’t Everything Already Disappeared?’ but the Elements Are Still There

by Ben Niesen
Everything by Yellow Shoots
Music, Music Videos, PremieresJanuary 28, 2019<January 28, 2019

Video Premiere: Yellow Shoots’ “Everything” Is a Bold, Trippy Homecoming

by Mitch Mosk
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Brand New

  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”

:: discover something new ::

Recent Posts

  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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