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Valentine's Day 2019
Features, Music, PlaylistsFebruary 14, 2019<February 19, 2019

Valentine’s Day 2019: Love & Anti-Love Songs

by Atwood Magazine Staff
Brayden Sibbald © George Foster
Music, PremieresFebruary 14, 2019<February 14, 2019

Premiere: Hope and Purpose in Brayden Sibbald’s “Compass”

by Ben Beamish
Kennedy Hair - Martha Ffion video
Columns, Music, Today's SongFebruary 14, 2019<February 14, 2019

Today’s Song: Martha Ffion’s “Kennedy Hair” Contrasts Political Turmoil with Fun Optimism

by Frankie Rose
Radiator King © Indofunk Satish
Music, PremieresFebruary 14, 2019<February 14, 2019

Premiere: Radiator King Invoke Springsteen’s Sadness on “Raylene”

by James Crowley
ANNALIA © Sara Kiesling
Music, PremieresFebruary 13, 2019<February 13, 2019

Premiere: Floating on Clouds with ANNALIA’s “Hold My Breath”

by Mitch Mosk
Gallipoli - Beirut
Music, Our Take, ReviewsFebruary 13, 2019<February 13, 2019

Our Take: Joy and Sorrow in Beirut’s ‘Gallipoli’

by Danny Vagnoni
Brillboard 2019-02-13
Brillboard, Music, PlaylistsFebruary 13, 2019<February 13, 2019

The Brillboard: Valentine’s Day, 02/13/2019

by Jason Brillon
whenyoung © 2019
Features, Interviews, MusicFebruary 13, 2019<February 13, 2019

Crying and Dancing Uncontrollably: An Interview with whenyoung

by Christine Costello
Too Late; Doesn't Matter by Dearheart
Debut, Music, ReviewsFebruary 13, 2019<February 13, 2019

Review: Dearheart’s ‘Too Late; Doesn’t Matter’ Displays the Ambition of Emo’s Next Wave

by James Crowley
Something Wrong with Me - Lauren Desberg
Music, PremieresFebruary 13, 2019<February 13, 2019

Premiere: Lauren Desberg Explores the Uneasy Mind in Alluring “Something Wrong with Me”

by Caitlin Ison
Yesterday Again - Sarah Dukes
Columns, Music, Today's SongFebruary 13, 2019<February 13, 2019

Today’s Song: Healing & Loss in Sarah Dukes’ “Yesterday Again” ft. Clay Agnew

by Ben Beamish
Kesley Bulkin © Canh Nguyen
Interviews, Music, This Just InFebruary 12, 2019<February 12, 2019

Interview: Kelsey Bulkin Makes the First Move with “Kareem”

by Mitch Mosk
Oh Dead On Oh Love - Lisa Papineau
Features, Music, Premieres, ReviewsFebruary 12, 2019<February 12, 2019

Album Premiere: The Enchanting Depth of Lisa Papineau’s ‘Oh Dead On Oh Love’

by Mitch Mosk
Bohannons © William Joseph Johnson
Music, PremieresFebruary 12, 2019<March 2, 2025

Premiere: Bohannons’ Raw “Refills” Sheds Light on the Opioid Crisis

by Mitch Mosk
Kaitie Forbes © Rachel Domonique
Debut, Music, PremieresFebruary 12, 2019<February 12, 2019

Premiere: Kaitie Forbes Soars on Intimate Alt-Pop Outpouring “At the Same Time”

by Mitch Mosk
Posts pagination
1 … 540 541 542 543 544 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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