Columns, Music, This Just In, Today's SongJanuary 9, 2019<January 9, 2019 Catfish and the Bottlemen Return with Stunning Anthem “Longshot” by Mitch Mosk
Music, PremieresJanuary 8, 2019<January 8, 2019 Premiere: The Rich Warmth of Ryan Dugré’s Gentle, Majestic “Bali” by Mitch Mosk
Features, Interviews, MusicJanuary 8, 2019<January 8, 2019 Can You Hear Me Now? A Conversation with Alison Sudol by Nicole Almeida
Music, PremieresJanuary 8, 2019<January 8, 2019 Premiere: Aaron David Gleason Shines in Feelgood “You Belong in the Movies” by Mitch Mosk
Features, Music, News, ReviewsJanuary 7, 2019<January 21, 2019 Atwood Magazine’s 2018 Albums of the Year by Atwood Magazine Staff
Features, Interviews, MusicJanuary 4, 2019<April 4, 2019 Lay Back, Letting Go, and Looking Forward: A Conversation with CLAVVS by Mitch Mosk
Features, Music, News, ReviewsJanuary 4, 2019<June 20, 2024 Atwood Magazine’s 2018 Artists of the Year by Atwood Magazine Staff
Columns, Music, Today's SongJanuary 4, 2019<January 4, 2019 Music and Mental Health: Deaf Havana’s James Veck-Gilodi Opens Up in “Coffee” by Ditta Demeter
Features, Music, News, ReviewsJanuary 3, 2019<January 16, 2019 Atwood Magazine’s 2018 Songs of the Year by Atwood Magazine Staff
Music, ReviewsJanuary 2, 2019<August 16, 2024 Album Review: The Ophelias Find Their Voice on ‘Almost’ by Ben Niesen
Music, PremieresJanuary 2, 2019<January 19, 2019 Premiere: Beach Tiger’s “Numb” Is an Impassioned Ode to Renewal by Mitch Mosk
Brillboard, Music, PlaylistsDecember 31, 2018<January 2, 2019 The Brillboard: Holidays, 12/25/2018 by Jason Brillon
Concerts, Music, ReviewsDecember 27, 2018<January 2, 2019 The Japanese House Returns, and Stuns, at Music Hall of Williamsburg by Nicole Almeida
Music, Music Videos, PremieresDecember 26, 2018<December 26, 2018 Premiere: Pony Creek’s Tender, Loving Classic “Till You’re Mine” by Mitch Mosk
For the Love of Music
For the Love of Music
