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Maenads - Sarah P.
Music, ReviewsJanuary 18, 2019<April 16, 2020

Alternative Dream-Pop & Greek Mythology Collide in Sarah P.’s Evocative ‘Maenads’ EP

by Ben Beamish
If Looks Could Kill - Lauren Aquilina
Features, Interviews, MusicJanuary 18, 2019<January 18, 2019

Interview: Lauren Aquilina’s Killer Instinct Ignites with “If Looks Could Kill”

by Coco Rich
Heard It In A Past Life - Maggie Rogers Artwork
Debut, Features, Music, ReviewsJanuary 18, 2019<January 29, 2019

Maggie Rogers’ ‘Heard It in a Past Life’: A Track-by-Track Review

by Frankie Rose
Sam Wilde On the Run
Columns, Music, Today's SongJanuary 18, 2019<January 17, 2019

Today’s Song: Sam Wilde Finds Solace in Bewilderment with “On the Run”

by Luke Pettican
MINT - Alice Merton
Debut, Features, Interviews, MusicJanuary 17, 2019<January 30, 2019

‘MINT’, Melody, and Meaning: An Interview with Alice Merton

by Mitch Mosk
Funeral Advantage © Caroline Bailey
Music, PremieresJanuary 17, 2019<January 17, 2019

Premiere: Funeral Advantage’s Stirring “Black House,” an Indie Pop Confession

by Mitch Mosk
Unofficial Lover - Kyan Palmer x nicopop. ft. Yung Lamby
Debut, Music, PremieresJanuary 17, 2019<January 17, 2019

Heartache Never Felt So Good: Kyan Palmer & nicopop.’s “Unofficial Lover” ft. Yung Lamby

by Mitch Mosk
Patrick Damphier © Satellite June
Music, Music Videos, PremieresJanuary 17, 2019<January 16, 2019

Premiere: Patrick Damphier’s Confessional Protest “Odd Man Out” ft. Molly Parden

by Mitch Mosk
hope is a dangerous thing - lana del rey
Columns, Music, Today's SongJanuary 17, 2019<January 17, 2019

From Lolita to Sylvia Plath, Lana Del Rey Reinvents Herself in “Hope Is a Dangerous Thing…”

by Ditta Demeter
GRAACE © 2019
Debut, Features, Interviews, MusicJanuary 17, 2019<January 21, 2019

Finding Strength in Vulnerability: A Conversation with GRAACE

by Luke Pettican
The Jesus and Mary Chain
Features, Interviews, MusicJanuary 16, 2019<January 16, 2019

Interview with The Jesus and Mary Chain: A Lot of Damage & A Lot of Joy

by Shayna Chabrow
Dinolion's RASHOMON
Music, Music Videos, PremieresJanuary 16, 2019<January 16, 2019

Premiere: Dinolion’s Film ‘Rashomon’ Explores Perceived Reality with 14 Houston Artists

by Mitch Mosk
Fort Frances
Music, PremieresJanuary 16, 2019<January 16, 2019

Premiere: Fort Frances Urge Us to Press Pause in “Double Take”

by Mitch Mosk
Film Score
Essays, MusicJanuary 16, 2019<January 15, 2019

Editorial: The Mastery of Musical Storytelling and How Music Documentaries Influence Artists’ Relevance

by Maggie McHale
Calls of Prudence © Lisa Macintosh
Music, Music Videos, PremieresJanuary 16, 2019<January 15, 2019

Premiere: Running Red Lights’ “Calls of Prudence” Confronts the Ghosts of a Romanticised Past

by Frankie Rose
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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