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Small Culture "BYE"
Music, Music Videos, PremieresNovember 28, 2018<November 28, 2018

Premiere: Regret & Reflection in Small Culture’s Beautifully Bittersweet “BYE”

by Mitch Mosk
Earl Sweatshirt x The Alchemist
Columns, Music, Today's SongNovember 28, 2018<August 5, 2021

The Alchemist & Earl Sweatshirt Effortlessly Create a Glistening, Immersive Soundscape on “E Coli”

by Atwood Magazine Staff
Vincent John © Louie Kovatch
Features, Music, ReviewsNovember 28, 2018<November 28, 2018

EP Review: A Full Glass of Vincent John’s Fresh-Squeezed ‘Tangerine’

by Mitch Mosk
The Dodos © Andy De Santis
Features, Interviews, MusicNovember 27, 2018<November 27, 2018

Adapting and Evolving: The Dodos Dive into Their Defiant ‘Certainty Waves’

by Mitch Mosk
Jordan Tariff © Jory Lee Cordy
Debut, Music, PremieresNovember 27, 2018<January 28, 2026

Premiere: Own Your Life with Jordan Tariff’s Breathtaking Debut Single “Warning Shot”

by Mitch Mosk
Laura Gibson © Parker Fitzgerald 8.1
Music, Our Take, ReviewsNovember 27, 2018<December 15, 2020

Our Take: Laura Gibson’s ‘Goners’ Is a Dark and Meditative Piece of Sonic Poetry

by Adrian Vargas
The Sweetheart Deal © 2018
Features, Music, PremieresNovember 27, 2018<December 20, 2018

Premiere: Indulge in Holiday Cheer with The Sweetheart Deal’s “Jingle Bells”

by Mitch Mosk
Spud Cannon © 2018
Music, PremieresNovember 27, 2018<November 26, 2018

Premiere: Musically Maintaining a Feel-Good Outlook with Spud Cannon’s “Try For a While”

by Frankie Rose
Ottawa © Bradley Atom
Music, Music Videos, PremieresNovember 26, 2018<February 4, 2019

Premiere: Ottawa Dazzle with Tender Passion in Acoustic “No More Love Songs”

by Mitch Mosk
Atwood Magazine Thanksgiving
Music, PlaylistsNovember 22, 2018<November 26, 2018

Atwood Magazine’s Thanksgiving Playlist: Warmth, Love, and Gratitude

by Atwood Magazine Staff
Columns, Music, Music You Should KnowNovember 21, 2018<November 22, 2018

Music You Should Know: Tommy Genesis Begs You To Shut Up and Listen

by Ethan Germann
Far Caspian © Jeff Barnett
Debut, Music, ReviewsNovember 21, 2018<November 21, 2018

EP Review: Nostalgic Beauty Floods Far Caspian’s Dreamy Debut ‘Between Days’

by Mitch Mosk
Matt Pond © 2018
Features, Interviews, Music, PremieresNovember 21, 2018<December 10, 2018

Matt Pond Gives Back in Breathtaking Led Zeppelin Cover “Thank You”

by Mitch Mosk
Maisie Peters © 2018
Debut, Music, ReviewsNovember 21, 2018<January 17, 2019

EP Review: ‘Dressed Too Nice for a Jacket’ Introduces the Charming Maisie Peters to the World

by Kelly McCafferty Dorogy
Charles Bradley © Isaac Sterling
Music, ReviewsNovember 21, 2018<November 21, 2018

Review: Charles Bradley’s Black Velvet Is Authentic ’60s Soul for the 21st Century

by James Crowley
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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