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Black Pistol Fire © 2019
Columns, Music, Today's SongJanuary 16, 2019<January 16, 2019

Today’s Song: Anger and Regret Meet Explosively in Black Pistol Fire’s “Level”

by Oliver Crook
Turn This Love Around - Michael Burrows
Music, Music Videos, PremieresJanuary 15, 2019<January 15, 2019

Watch: Heart, Warmth, and Hope in Michael Burrows’ “Turn This Love Around”

by Mitch Mosk
Michael McArthur © Michael Flores
Music, PremieresJanuary 15, 2019<January 15, 2019

Premiere: Michael McArthur Laments on the Dark Side of Love with “Ever Green, Ever Rain”

by Abby Jones
Butterjack © Jodie Guest
Music, PremieresJanuary 15, 2019<January 15, 2019

Premiere: Butterjack’s “Hot Sauce” Is a Love Song with a Bite

by Mitch Mosk
Noble Kids 2019
Music, PremieresJanuary 15, 2019<January 15, 2019

Premiere: False Hopes & Love in Noble Kids’ “West of Here”

by Mitch Mosk
Editor's Picks 01-14-2019
Columns, Editor's Picks, MusicJanuary 15, 2019<March 8, 2019

Editor’s Picks: January 14, 2019

by Mitch Mosk
Land of the Free - The Killers
Features, Music, Reviews, This Just InJanuary 15, 2019<January 24, 2019

The Killers’ Impassioned “Land of the Free,” an American Protest

by Mitch Mosk
All My Friends - Matt Koelsch & Georgia Feroce
Music, PremieresJanuary 14, 2019<January 14, 2019

Premiere: Living Right with Matt Koelsch & Georgia Feroce’s Inspiring “All My Friends”

by Mitch Mosk
Andy Frasco & The U.N. 2019
Music, PremieresJanuary 14, 2019<January 14, 2019

Premiere: Andy Frasco & The U.N. Shine in Tender “Can’t Force Love”

by Mitch Mosk
Cathedrals © Alex Ember
Music, Music Videos, PremieresJanuary 14, 2019<January 14, 2019

Video Premiere: Cathedrals’ “Just a Game” Presents a Grim Fairytale of Anguished Love

by Adrian Vargas
Atwood Magazine's Weekly Roundup 1-11-2019
Columns, Features, Music, Weekly RoundupJanuary 11, 2019<January 24, 2019

Atwood Magazine’s Weekly Roundup: January 11, 2019

by Atwood Magazine Staff
Lauren Reiner music
Music, ReviewsJanuary 11, 2019<January 17, 2019

EP Review: Lauren Reiner’s ‘Little Rain’ Channels Julien Baker & Taylor Swift

by James Crowley
Jerry Williams © Phoebe Fox music
Features, Interviews, MusicJanuary 11, 2019<January 28, 2019

Here’s to a Good Life: Jerry Williams’ Raw & Intimate Song “David at the Bar”

by Mitch Mosk
Rhys Lewis
Columns, Music, Today's SongJanuary 10, 2019<January 10, 2019

Today’s Song: Anguish and Affliction in Rhys Lewis’ “Could’ve Been”

by Luke Pettican
Highschool Jacob © Grace Pickering
Music, PremieresJanuary 10, 2019<January 10, 2019

Premiere: Just “Can’t Get Enough” of HighSchool Jacob!

by Christine Costello
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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