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Windows Down & Dying - TONKS
Debut, Interviews, Music, PremieresNovember 13, 2018<November 13, 2018

Album Premiere: TONKS Unveils His Stirringly Vulnerable Debut ‘Windows Down & Dying’

by Mitch Mosk
Black Honey © Harriet Brown
Debut, Music, Reviews, Track-by-TrackNovember 12, 2018<November 12, 2018

Living in a Movie: A Track-by-Track Review of Black Honey’s Debut Album

by Lindsay Call
Deanna Petcoff © 2018
Features, Interviews, Music, This Just InNovember 9, 2018<October 16, 2024

This Just In: Deanna Petcoff Dives Into Her Energizing, Dynamic “Stress”

by Mitch Mosk
Psychic Rites' Mike Siemens © Kentaro Murai
Essays, Features, Interviews, MusicNovember 9, 2018<November 9, 2018

What It Means to Hate Your Work: Connecting Psychic Rites, Kafka, and Cobain

by Atwood Magazine Staff
The Wombats © Phil Smithies
Features, Interviews, MusicNovember 9, 2018<July 12, 2022

Interview: How The Wombats Stayed True to Themselves, Four Studio Albums Later

by Abby Jones
Bahamas © 2018
Features, Interviews, MusicNovember 9, 2018<November 9, 2018

Interview: From Daydreams to Earthtones, Bahamas Bares All

by Sara Santora
The Family - Timber album art
Debut, Features, Music, PremieresNovember 8, 2018<November 8, 2018

Album Premiere: Timber Debut ‘The Family’ with an Enchanting Ambient Allure

by Mitch Mosk
Nowhere2go - Earl Sweatshirt
Columns, Music, Today's SongNovember 8, 2018<August 5, 2021

Today’s Song: Earl Sweatshirt Returns with Avant-Rap Single “Nowhere2go”

by Atwood Magazine Staff
YSIV - Logic 7.9
Music, Our Take, ReviewsNovember 8, 2018<October 16, 2024

Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’

by Josh Weiner
Debut, Features, Interviews, Music, PremieresNovember 8, 2018<November 9, 2018

Premiere: spill tab Make Their Enchanting Debut with “When U Call”

by Maggie McHale
RKCB © Alex Stoddard
Music, PremieresNovember 7, 2018<November 8, 2018

Premiere: Falling Hard for RKCB’s Sexistential Lament “Know Love”

by Mitch Mosk
Foxwarren © Chris Graham
Debut, Music, This Just InNovember 7, 2018<November 29, 2018

This Just In: Sleek and Stylized, Foxwarren’s “Everything Apart” Is a Versatile and Engaging Debut Single

by Adrian Vargas
Gabriella Rose © Chris Molitor
Music, PremieresNovember 6, 2018<November 6, 2018

Premiere: The Raw, Tender Beauty of Gabriella Rose’s Debut “Lost in Translation”

by Mitch Mosk
Lemaitre © Stephen Butkus
Features, Interviews, MusicNovember 2, 2018<November 2, 2018

Interview with Lemaitre: An Atypical Electronic Duo

by Luke Pettican
Character Building - oh800
Debut, Music, PremieresNovember 1, 2018<November 1, 2018

Album Premiere: Embarking on a New Adventure with oh800’s debut ‘Character Building’

by Audrey Steeves
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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