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Lostboycrow © Samantha Sheldon
Music, PremieresJanuary 10, 2019<January 24, 2019

Premiere: Elation & Connection in Lostboycrow’s “Orange Juice” & “Stargazing with Patrick Bateman”

by Mitch Mosk
Two Passing Ships - Spirit Houses
Features, Interviews, MusicJanuary 10, 2019<January 10, 2019

Death Was a Naked Sword: A Conversation with Spirit Houses

by James Crowley
Some Rap Songs - Earl Sweatshirt 9.4
Music, Our Take, ReviewsJanuary 9, 2019<August 5, 2021

Our Take: Earl Sweatshirt Bends Time and Space on ‘Some Rap Songs’

by Atwood Magazine Staff
Strange Open Land - Alex Di Leo
Music, Music Videos, PremieresJanuary 9, 2019<January 9, 2019

Premiere: Alex Di Leo’s “Strange Open Land” Revels in Young Love’s Seduction

by Mitch Mosk
Brillboard 2019-01-09
Brillboard, Music, PlaylistsJanuary 9, 2019<January 9, 2019

The Brillboard: New Beginnings, 01/09/2019

by Jason Brillon
Catfish & The Bottlemen © Jill Furmanovsky
Columns, Music, This Just In, Today's SongJanuary 9, 2019<January 9, 2019

Catfish and the Bottlemen Return with Stunning Anthem “Longshot”

by Mitch Mosk
Ryan Dugré © 2019
Music, PremieresJanuary 8, 2019<January 8, 2019

Premiere: The Rich Warmth of Ryan Dugré’s Gentle, Majestic “Bali”

by Mitch Mosk
Alison Sudol © Marlene Marino
Features, Interviews, MusicJanuary 8, 2019<January 8, 2019

Can You Hear Me Now? A Conversation with Alison Sudol

by Nicole Almeida
Aaron David Gleason © Michael Crook
Music, PremieresJanuary 8, 2019<January 8, 2019

Premiere: Aaron David Gleason Shines in Feelgood “You Belong in the Movies”

by Mitch Mosk
Atwood Magazine's 2018 Albums of the Year
Features, Music, News, ReviewsJanuary 7, 2019<January 21, 2019

Atwood Magazine’s 2018 Albums of the Year

by Atwood Magazine Staff
CLAVVS © 2018
Features, Interviews, MusicJanuary 4, 2019<April 4, 2019

Lay Back, Letting Go, and Looking Forward: A Conversation with CLAVVS

by Mitch Mosk
Atwood Magazine's 2018 Artists of the Year
Features, Music, News, ReviewsJanuary 4, 2019<June 20, 2024

Atwood Magazine’s 2018 Artists of the Year

by Atwood Magazine Staff
James Veck-Gilodi
Columns, Music, Today's SongJanuary 4, 2019<January 4, 2019

Music and Mental Health: Deaf Havana’s James Veck-Gilodi Opens Up in “Coffee”

by Ditta Demeter
Atwood Magazine's 2018 Songs of the Year
Features, Music, News, ReviewsJanuary 3, 2019<January 16, 2019

Atwood Magazine’s 2018 Songs of the Year

by Atwood Magazine Staff
Almost - The Ophelias
Music, ReviewsJanuary 2, 2019<August 16, 2024

Album Review: The Ophelias Find Their Voice on ‘Almost’

by Ben Niesen
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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