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SVIBES © 2018
Debut, Features, Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: The Beautiful Torment of SVIBES’ “The Ra Ra Ra” & “Strange Vibes”

by Mitch Mosk
TOOTIMETOOTIMETOOTIME - The 1975
Features, Music, Reviews, This Just InAugust 22, 2018<August 29, 2018

Pop, Frivolity, & Attitude: A Review of The 1975’s “TOOTIMETOOTIMETOOTIME”

by Atwood Magazine Staff
Dizzy © Leeor Wild
Debut, Features, Interviews, MusicAugust 21, 2018<August 29, 2018

Ascending from Suburbia and Adolescence: A Conversation with Dizzy

by Nicole Almeida
Ever More Nest © Summer Dorr
Debut, Music, Music Videos, PremieresAugust 21, 2018<August 21, 2018

Premiere: Drifting Away in Ever More Nest’s Grounding Debut “Major Tom”

by Mitch Mosk
Aidan Carroll © Deneka Peniston
Music, PremieresAugust 21, 2018<August 21, 2018

Premiere: A Soul Exposed in Aidan Carroll’s Visceral “Misunderstood”

by Mitch Mosk
Beach Bunny © john tuanqui
Music, ReviewsAugust 21, 2018<August 21, 2018

Review: Beach Bunny Deserve a Crown for Nostalgic ‘Prom Queen’ EP

by Abby Jones
Edward and Jane © Nathan William
Music, PremieresAugust 21, 2018<April 13, 2020

Premiere: Finding Strength in Edward and Jane’s Folkicana Fight Song, “Hold Your Own”

by Mitch Mosk
James Smith "T-Shirts" Acoustic © Virgin Records
Features, Music, Music Videos, PremieresAugust 21, 2018<August 21, 2018

Premiere: The Heartbreaking Beauty of James Smith’s Acoustic “T-Shirts”

by Mitch Mosk
Be The Cowboy - Mitski
Features, Music, Reviews, RoundtableAugust 21, 2018<June 29, 2024

Roundtable Discussion: A Review of Mitski’s ‘Be the Cowboy’

by Atwood Magazine Staff
She Don't Know - Zach Callison
Music, Music Videos, PremieresAugust 20, 2018<August 20, 2018

Premiere: Zach Callison Barrels Through Heartache & Strain in “She Don’t Know”

by Mitch Mosk
Ian Fisher © David Johnson
Music, PremieresAugust 20, 2018<August 20, 2018

Premiere: Ian Fisher’s “Icarus” Flies with Sunlight and Sorrow

by Audrey Steeves
Toro - Liily
Debut, Interviews, Music, ReviewsAugust 20, 2018<August 20, 2018

LA’s Liily Debut “Toro” with Feverish Chaos and Hard Rock Fury

by Mitch Mosk
Brooks Thomas © Ben Kaye
Music, PremieresAugust 20, 2018<August 20, 2018

Premiere: Breaking Under the “Gravity” of Brooks Thomas’ Wilted Love

by Mitch Mosk
Hive Mind - The Internet
Music, ReviewsAugust 20, 2018<August 5, 2021

Review: The Internet Meld into Smooth, If Familiar, Jams on ‘Hive Mind’

by Atwood Magazine Staff
Our Girl © Hollie Fernando
Debut, Features, Interviews, MusicAugust 20, 2018<August 20, 2018

Interview with Our Girl: Strangers Today, But Not for Long

by Nicole Almeida
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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