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Grouplove © JMH
Columns, Music, Today's SongAugust 20, 2018<August 20, 2018

Today’s Song: Grouplove’s “Remember That Night” Embraces the Full Spectrum of Memory

by Audrey Steeves
Atwood Magazine's Weekly Roundup 08-17-2018
Columns, Features, Music, Weekly RoundupAugust 17, 2018<August 31, 2018

Atwood Magazine’s Weekly Roundup: August 17, 2018

by Atwood Magazine Staff
Queen - Nicki Minaj 7.9
Features, Music, Our Take, ReviewsAugust 17, 2018<August 17, 2023

Our Take: The ‘Queen’ Reigns Supreme on Nicki Minaj’s Regal Fourth Offering

by Josh Weiner
SPIES © 2018
Music, Music Videos, PremieresAugust 17, 2018<August 17, 2018

Premiere: Basking in SPIES’ Indulgent & Vivid “Ho Chi Minh” Video

by Mitch Mosk
Sunshine and the Rain © Judy Anderson
Music, PremieresAugust 17, 2018<August 17, 2018

Premiere: Sunshine & The Rain’s Dazzling “It’s All in Your Mind”

by Mitch Mosk
Cat Heaven - Roy Blair
Columns, Music, Today's SongAugust 17, 2018<August 17, 2018

Today’s Song: Navigate the Toxic Intimacy of Jaded Youth with Roy Blair’s “Kansas”

by Jesse Herb
Bishop Briggs © Jabari Jacobs
Features, Interviews, MusicAugust 17, 2018<October 12, 2018

Interview with Bishop Briggs: Passion, Integrity, and Musical Vulnerability

by Mitch Mosk
BROODS © Kelia Anne
Features, Interviews, Music, ReviewsAugust 16, 2018<September 6, 2018

Interview: Broods Dive into Juicy Anthem “Peach” with Joie de Vivre

by Mitch Mosk
Armies © 2018
Features, Music, PremieresAugust 16, 2018<August 16, 2018

Album Premiere: Armies’ Dance-Friendly Gospel-Inspired Nervous Breakdown, ‘Armies II’

by Mitch Mosk
Aüva © Alexa Nikolas
Music, PremieresAugust 16, 2018<August 16, 2018

Premiere: Aüva Mesmerize with Purpose & Attitude on “Scummm”

by Luke Pettican
Dreamers - Pompeya
Features, Music, PremieresAugust 16, 2018<August 16, 2018

Album Premiere: Embark on Neo New Wave Time Travel with Pompeya’s ‘Dreamers’

by Ilana Kalish
Tom West © 2018
Music, PremieresAugust 16, 2018<August 16, 2018

Premiere: Questioning Memories and Continuations of the Past with Tom West’s “King Cambyses”

by Frankie Rose
Wild Nothing © Cara Robbins
Columns, Music, Today's SongAugust 16, 2018<August 16, 2018

Today’s Song: Heartbreak & Hope Collide in Wild Nothing’s “Letting Go”

by Gabi Montiel
A Delicate Motor © 2018
Features, Music, ReviewsAugust 15, 2018<August 15, 2018

Immersive & Expansive: Diving into A Delicate Motor’s ‘Fellover My Own’

by Mitch Mosk
Know. - Jason Mraz
Features, Music, ReviewsAugust 15, 2018<September 13, 2018

Our Take: Love, Light, and the Importance of Jason Mraz’s ‘Know.’

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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