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Con Davison © Rob Hull
Music, PremieresAugust 29, 2018<August 28, 2018

Premiere: Con Davison’s Invigorating “Talk” Is a Breath of Fresh Air

by Mitch Mosk
Upstairs Open © 2018
Debut, Music, PremieresAugust 29, 2018<September 13, 2018

Premiere: The Tragic Cry of Upstairs Open’s Feelgood “Silence”

by Mitch Mosk
Tuck Frump - Victory Kid
Music, Music Videos, PremieresAugust 29, 2018<August 28, 2018

Premiere: Victory Kid Channel Blink-182 on Their Political Anthem “Tuck Frump”

by James Crowley
Calvin Arsenia © Andrea Larson
Music, PremieresAugust 29, 2018<August 29, 2018

Premiere: Calvin Arsenia’s Aching & Vulnerable “Headlights”

by Mitch Mosk
ELOÏSE © Charlotte Caleb
Music, PremieresAugust 28, 2018<August 28, 2018

Premiere: Indulge in ELOÏSE’s Dark & Seductive Fantasy, “Drop Dead Gorgeous”

by Mitch Mosk
Flo Chase © 2018
Music, PremieresAugust 28, 2018<August 28, 2018

Premiere: Flo Chase’s “Kiss You Goodbye” & the Inevitable Ending of Divinely Intervened Love

by Jesse Herb
my first love mends my final days - mathew lee cothran
Columns, Music, Today's SongAugust 28, 2018<August 28, 2018

Today’s Song: How We Use a Name in Mathew Lee Cothran’s “Naomi Y”

by Aaron Scobie
Daise © 2018
Music, PremieresAugust 27, 2018<August 27, 2018

Premiere: The Ambient Ache of Daise’s “Sights of Blue”

by Mitch Mosk
Sweetener - Ariana Grande
Features, Music, Reviews, RoundtableAugust 27, 2018<June 29, 2024

Roundtable Discussion: A Review of Ariana Grande’s ‘Sweetener’

by Atwood Magazine Staff
LANSKI © Jake Courtois
Music, PremieresAugust 27, 2018<August 27, 2018

Premiere: The Intimate Weight of LANSKI’s Sweet & Somber “Vows”

by Mitch Mosk
Jack River © Ash Schumann
Columns, Music, Today's SongAugust 27, 2018<August 27, 2018

Today’s Song: Jack River Experiments with Emotional Boundaries “In Infinity”

by Natalie Harmsen
Foxhole © Loren Gifford
Features, Interviews, Music, PremieresAugust 27, 2018<August 27, 2018

Premiere: Foxhole Return to Bring Humanity to Post-Rock on “After the Walk”

by James Crowley
Timothy Heller © Nas Nixx
Debut, Features, Interviews, Music, ReviewsAugust 24, 2018<September 13, 2018

Interview: Timothy Heller Dives into Her Impassioned New Anthem “See Ya!”

by Mitch Mosk
Nightly © Louis Browne
Features, Interviews, MusicAugust 24, 2018<August 24, 2018

Call Out Their Name: A Conversation with Nightly

by Nicole Almeida
Avery Mandeville "Get Real" music video still
Debut, Music, Music Videos, PremieresAugust 24, 2018<August 24, 2018

Premiere: The Raw Savagery of Avery Mandeville’s Assertive & Empowering “Get Real!”

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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