• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mumford & Sons © 2016
Columns, Music, Music You Should KnowJuly 19, 2018<July 18, 2018

Music You Should Know: The Joy of Mumford & Sons’ “Johannesburg”

by Sara Santora
GOLDN © Nikko La Mere
Music, PremieresJuly 19, 2018<July 19, 2018

Premiere: GOLDN Sets a Heartbreaking Scene in “Break It”

by James Crowley
Bear Grass © 2018
Music, PremieresJuly 19, 2018<July 27, 2018

Premiere: Bear Grass Create a Sense of Security & Distrust in “Snake in the Grass”

by James Crowley
El Ten Eleven © Mark Owens
Music, PremieresJuly 19, 2018<July 27, 2018

Premiere: Embark on a Meditative Voyage with El Ten Eleven’s “We Don’t Have a Sail But We Have a Rudder”

by Adrian Vargas
In Bloom Acoustic EP - VON GREY
Features, Music, PremieresJuly 19, 2018<August 9, 2018

EP Premiere: VON GREY Blossom on ‘In Bloom’ with Intimate Depth and Breathtaking Grace

by Mitch Mosk
STORME © 2018
Music, PremieresJuly 19, 2018<August 9, 2018

Premiere: Storme Blend Intimacy & Euphoria in Heart-Pounding “Starlight”

by Luke Pettican
X. Ari © Dan Abramovici
Music, PremieresJuly 18, 2018<July 18, 2018

Premiere: X. ARI Calms the Chaos in ‘Dis-Order’ EP

by Mitch Mosk
ordinary corrupt human love - Deafheaven
Music, ReviewsJuly 18, 2018<July 18, 2018

The Awe-Inspiring Sadness of Deafheaven’s ‘Ordinary Corrupt Human Love’

by James Crowley
Mozes and the Firstborn © Nick Helderman
Music, Music Videos, PremieresJuly 18, 2018<July 18, 2018

Premiere: Breach the Comfort Zone in Mozes and the Firstborn’s “Hello”

by Mitch Mosk
Sanders Bohlke © 2018
Music, PremieresJuly 18, 2018<July 18, 2018

Premiere: Time Stops in Sanders Bohlke’s Impassioned Anthem “Never Wake”

by Mitch Mosk
Lapel © Shervin Lainez
Debut, Music, PremieresJuly 18, 2018<July 17, 2018

Premiere: Love and Denial in Lapel’s Raw “Lead Me Back to You”

by Mitch Mosk
Darren Jessee © 2018
Debut, Music, PremieresJuly 17, 2018<July 17, 2018

Premiere: Darren Jessee Bares His Soul in “Letting You Go”

by Mitch Mosk
Joe McKee © Ami Sioux
Music, PremieresJuly 17, 2018<July 17, 2018

Premiere: Gender Roles & Psychedelic Soirées in Joe McKee’s “I Want to Be Your Wife”

by Mitch Mosk
Threads - Micah McCaw
Features, Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: Micah McCaw Pulls at Faith’s Tangled Strings in ‘Threads’ EP

by Mitch Mosk
Lil Aaron © 2018
Features, Interviews, MusicJuly 16, 2018<July 16, 2018

The New Rock$tar$: A Conversation with Lil Aaron

by James Crowley
Posts pagination
1 … 571 572 573 574 575 … 728

Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services