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boygenius © Lera Pentelute
Debut, Features, Music, ReviewsAugust 24, 2018<August 24, 2018

Phoebe Bridgers, Julien Baker, & Lucy Dacus Prove There’s Power in Numbers with boygenius Supergroup

by Abby Jones
Jeff Basta © 2018
Debut, Music, PremieresAugust 24, 2018<August 24, 2018

Premiere: An Intimate Goodbye in Jeff Basta’s Heavy-Hearted “Find Her Way” ft. TJ Bordeaux

by Mitch Mosk
Hippo Campus © Pooneh Ghana
Features, Music, ReviewsAugust 24, 2018<October 9, 2018

Review: Hippo Campus Explore New Horizons on “Passenger” and “Bambi”

by Meredith Nardino
The Northern Empty © Cooper Leith
Debut, Features, Music, Premieres, ReviewsAugust 23, 2018<August 23, 2018

Premiere: Deeper Connections in The Northern Empty’s Intimate “Molecules”

by Mitch Mosk
Inside Voice - Joey Dosik
Debut, Features, Music, Our Take, ReviewsAugust 23, 2018<August 24, 2018

Our Take: Joey Dosik’s Impeccably Stylized Debut ‘Inside Voice’ Hits All of the Right Notes

by Adrian Vargas
Billy Lockett © 2018
Columns, Music, Today's SongAugust 23, 2018<August 23, 2018

Today’s Song: Billy Lockett Explores Heartache with Affecting Return, “Fading into Grey”

by Luke Pettican
THE HOTTMAN SISTERS © Carley Scott Fields
Music, Music Videos, PremieresAugust 23, 2018<August 23, 2018

Premiere: The Hottman Sisters Ignite in a Passionate, Roaring “Fire”

by Mitch Mosk
LOVA © 2018
Music, PremieresAugust 23, 2018<August 29, 2018

Premiere: Embracing LOVA’s Self-Love Anthem “Impress Myself”

by Mitch Mosk
Bad Rabbits © Steve Osemwenkhae
Music, PremieresAugust 23, 2018<August 23, 2018

Premiere: Bad Rabbits Release a Coming-of-Age Tale with “Ain’t a Crime”

by Frankie Rose
Ottawa © Bradley Atom
Music, PremieresAugust 23, 2018<November 26, 2018

Premiere: Soaking in Euphoria with Ottawa’s Energetic “Undercover”

by Mitch Mosk
Apropos © 2018
Debut, Music, PremieresAugust 23, 2018<August 23, 2018

Premiere: Love Hurts So Good in Apropos’ “Talk Like That” ft. Isaiah Dreads

by Mitch Mosk
Moses Sumney © Ibra Ake
Features, Music, Our Take, ReviewsAugust 22, 2018<August 22, 2018

Our Take: Moses Sumney’s ‘Black in Deep Red, 2014’ Captures the Tumult & Triumph of Protest

by Nick Baron
Sonny Elliot © Nina Sutton-Welch
Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: Sonny Elliot’s Delicate “Broken Glasses” Glows with Unconditional Love

by Mitch Mosk
The Foreword © 2018
Debut, Music, PremieresAugust 22, 2018<August 22, 2018

Premiere: The Foreword Embrace Optimism in Bright Folk-Pop Debut “Made Up Misery”

by Mitch Mosk
YEARS - Axel Flovent © 2018
Music, Music Videos, PremieresAugust 22, 2018<August 22, 2018

Premiere: Overcoming Inner Demons with Axel Flóvent’s Breathtaking “Years”

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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