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The Rareflowers © 2018
Music, PremieresJune 8, 2018<June 8, 2018

Premiere: The Rareflowers Bloom in Catchy “New Generation”

by Mitch Mosk
Already Gone - Brett Dennen still
Features, Interviews, Music, ReviewsJune 8, 2018<June 8, 2018

Feature: Stop Thinking & Do with Brett Dennen’s Inspiring “Already Gone”

by Mitch Mosk
Burning House © George Evans
Music, PremieresJune 7, 2018<June 8, 2018

Premiere: Burning House’s “Peach” Is a Fuzzy Coming-of-Age Anthem

by Mitch Mosk
Northside Festival 2018 banner
Features, Festival, Music, News, PreviewsJune 7, 2018<June 12, 2018

(Y)Our Music Guide to Northside Festival 2018

by Atwood Magazine Staff
Sloppy Jane © afcorets
Debut, Interviews, MusicJune 7, 2018<June 7, 2018

Interview with Sloppy Jane: The Excitement of Exhaustion and Strolling Through “Kitchen Store”

by Carolyn Fasone
RXC © 2018
Music, PremieresJune 7, 2018<June 7, 2018

Premiere: RXC Takes Us “Higher” with Dark Pop Turbulence

by Mitch Mosk
Tyne © Brandon Taelor Aviram
Debut, Interviews, Music, PremieresJune 7, 2018<June 7, 2018

Feature: Growing the Dream Pop Genre with Tyne’s Debut EP ‘111’

by Kelly Wynne
"Is This Real?" - Caspar Leopard
Music, Music Videos, PremieresJune 6, 2018<June 12, 2018

Premiere: Embracing Life with Caspar Leopard’s Powerful “Is This Real?”

by Mitch Mosk
My Brothers and I © 2018
Music, Music Videos, PremieresJune 6, 2018<June 6, 2018

Premiere: The Raw Ache of My Brothers And I’s “When You’re Ready”

by Mitch Mosk
God's Favorite Customer - Father John Misty
Features, Music, Reviews, RoundtableJune 6, 2018<June 29, 2024

Roundtable Discussion: A Review of Father John Misty’s ‘God’s Favorite Customer’

by Atwood Magazine Staff
Beechwood © Nika De Carlo
Music, PremieresJune 5, 2018<June 6, 2018

Premiere: Beechwood Shine Bright in Buoyant Love Song “Amy”

by Mitch Mosk
Howlin' - Naomi Wild © 2018
Features, Interviews, MusicJune 5, 2018<June 5, 2018

Howlin’ for Higher Ground: A Conversation with Naomi Wild

by Alex Killian
Roanoke © Robbie Larsen
Music, Music Videos, PremieresJune 5, 2018<June 5, 2018

Premiere: Roanoke’s Intimate “Silent Films” Captures Love’s Fragility

by Mitch Mosk
Maggie Rogers © Olivia Bee
Columns, Music, Today's SongJune 5, 2018<June 5, 2018

Today’s Song: A Gorgeous Tale of Growth with Maggie Rogers’ “Fallingwater”

by Adrian Vargas
To Be Young - Tenderfoot
Debut, Music, Our Take, ReviewsJune 4, 2018<June 4, 2018

Our Take: Tenderfoot Debut ‘To Be Young’ with Heartfelt Warmth and Nostalgic Reverie

by Mitch Mosk
Posts pagination
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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