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Black Grapefruit © 2018
Debut, Music, PremieresJuly 24, 2018<July 24, 2018

Premiere: The Warm Wash of Black Grapefruit’s Bittersweet “End”

by Mitch Mosk
Tanukichan © Jacob Romero
Debut, Features, Interviews, MusicJuly 24, 2018<October 13, 2021

Reflections on Sundays and Life Itself: A Conversation with Tanukichan

by Nicole Almeida
Boy Bjorn © Kate Holl
Debut, Music, Music Videos, PremieresJuly 24, 2018<July 24, 2018

Premiere: Ambience & Isolation in Boy Bjorn’s Intimate “Alone at the Severance”

by Mitch Mosk
Naaz © 2018
Columns, Debut, Music, Music You Should KnowJuly 23, 2018<July 23, 2018

Music You Should Know: Naaz’s Stunningly Sensational Debut EP ‘Bits of Naaz’

by Luke Pettican
New York - JONES EP
Music, Our Take, ReviewsJuly 20, 2018<July 20, 2018

Our Take: JONES Strips It Back on ‘New York’ EP

by Natalie Harmsen
Mumford & Sons © 2016
Columns, Music, Music You Should KnowJuly 19, 2018<July 18, 2018

Music You Should Know: The Joy of Mumford & Sons’ “Johannesburg”

by Sara Santora
GOLDN © Nikko La Mere
Music, PremieresJuly 19, 2018<July 19, 2018

Premiere: GOLDN Sets a Heartbreaking Scene in “Break It”

by James Crowley
Bear Grass © 2018
Music, PremieresJuly 19, 2018<July 27, 2018

Premiere: Bear Grass Create a Sense of Security & Distrust in “Snake in the Grass”

by James Crowley
El Ten Eleven © Mark Owens
Music, PremieresJuly 19, 2018<July 27, 2018

Premiere: Embark on a Meditative Voyage with El Ten Eleven’s “We Don’t Have a Sail But We Have a Rudder”

by Adrian Vargas
In Bloom Acoustic EP - VON GREY
Features, Music, PremieresJuly 19, 2018<August 9, 2018

EP Premiere: VON GREY Blossom on ‘In Bloom’ with Intimate Depth and Breathtaking Grace

by Mitch Mosk
STORME © 2018
Music, PremieresJuly 19, 2018<August 9, 2018

Premiere: Storme Blend Intimacy & Euphoria in Heart-Pounding “Starlight”

by Luke Pettican
X. Ari © Dan Abramovici
Music, PremieresJuly 18, 2018<July 18, 2018

Premiere: X. ARI Calms the Chaos in ‘Dis-Order’ EP

by Mitch Mosk
ordinary corrupt human love - Deafheaven
Music, ReviewsJuly 18, 2018<July 18, 2018

The Awe-Inspiring Sadness of Deafheaven’s ‘Ordinary Corrupt Human Love’

by James Crowley
Mozes and the Firstborn © Nick Helderman
Music, Music Videos, PremieresJuly 18, 2018<July 18, 2018

Premiere: Breach the Comfort Zone in Mozes and the Firstborn’s “Hello”

by Mitch Mosk
Sanders Bohlke © 2018
Music, PremieresJuly 18, 2018<July 18, 2018

Premiere: Time Stops in Sanders Bohlke’s Impassioned Anthem “Never Wake”

by Mitch Mosk
Posts pagination
1 … 580 581 582 583 584 … 737

Brand New

  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward

:: discover something new ::

Recent Posts

  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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