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Bright City Lights - Rebecca Haviland
Music, Music Videos, PremieresMarch 15, 2018<March 16, 2018

Video Premiere: Rebecca Haviland Finds Her Voice in “Bright City Lights”

by Mitch Mosk
Mica Tenenbaum of Magdalena Bay © Nicole Almeida
Debut, Features, Interviews, MusicMarch 15, 2018<December 21, 2024

Talking Retro Pop and Vintage Film: A Conversation with Magdalena Bay

by James Meadows
LJ Gomez © Mari Hernandez
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: A Familiar Ache in LJ Gomez’s Poignant “Replay”

by Mitch Mosk
The Violet Kind © 2018
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: The Violet Kind Stand Up & Speak Out in “Good Behaviour”

by Lindsay Call
Columns, Music, Today's SongMarch 15, 2018<March 15, 2018

Today’s Song: Revisiting Your Summer Love with Twin Shadow’s “Saturdays”

by Adrian Vargas
Bobby Mahoney © Dieter Unrath
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: Bobby Mahoney and The Seventh Son Channel the “Roaring Twenties”

by James Crowley
"Like a Drug" by Like Language © Aaron Green
Music, Music Videos, PremieresMarch 14, 2018<May 20, 2022

Video Premiere: The Anthemic Ache and Strain of Like Language’s “Like a Drug”

by Mitch Mosk
Tom Gallo © Morgen Gallo
Music, PremieresMarch 14, 2018<March 14, 2018

Premiere: Tom Gallo Gets Tender on Dreamy “Home (If This Is Love)”

by Natalie Harmsen
Pale Waves © Nicole Almeida
Features, Interviews, MusicMarch 14, 2018<March 14, 2018

Groove and Emotion: A Conversation with Pale Waves

by Maggie McHale
Racquet © Sapphire Jewell
Debut, Features, Music, PremieresMarch 14, 2018<March 14, 2018

EP Premiere: Avoid the Riptide with Racquet’s Impassioned Debut EP ‘Artifacts’

by Carolyn Fasone
Sunflower Bean © Hollie Fernando
Columns, Music, Today's SongMarch 14, 2018<March 14, 2018

Today’s Song: Sunflower Bean’s “Twentytwo,” a Figurative & Literal Representation of Growth

by Alexandra Graber
Header Viewfinder Troye Sivan Lorde
Columns, Music, Music Videos, ViewfinderMarch 14, 2018<March 14, 2018

Viewfinder: “My My My!” and “Green Light” Capture Youth and Euphoria

by Carmen Chan
Tiger March © Dexy Valentine
Debut, Music, PremieresMarch 13, 2018<March 13, 2018

Premiere: The Shimmering Glitz of Tiger March’s “Hold Something”

by Mitch Mosk
Schultz & Forever © Sebastian Zieler
Debut, Features, Music, PremieresMarch 13, 2018<March 14, 2018

Album Premiere: The Intimate Revolt of Schultz & Forever’s Debut ‘Grand Guignol’

by Mitch Mosk
Black Panther Soundtrack
Features, Music, Reviews, RoundtableMarch 13, 2018<June 29, 2024

Roundtable Discussion: A Review of the ‘Black Panther’ Soundtrack

by Atwood Magazine Staff
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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