• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Darren Jessee © 2018
Debut, Music, PremieresJuly 17, 2018<July 17, 2018

Premiere: Darren Jessee Bares His Soul in “Letting You Go”

by Mitch Mosk
Joe McKee © Ami Sioux
Music, PremieresJuly 17, 2018<July 17, 2018

Premiere: Gender Roles & Psychedelic Soirées in Joe McKee’s “I Want to Be Your Wife”

by Mitch Mosk
Threads - Micah McCaw
Features, Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: Micah McCaw Pulls at Faith’s Tangled Strings in ‘Threads’ EP

by Mitch Mosk
Lil Aaron © 2018
Features, Interviews, MusicJuly 16, 2018<July 16, 2018

The New Rock$tar$: A Conversation with Lil Aaron

by James Crowley
Delafaye © Julia Popp
Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: Delafaye’s “These Days” Finds Peace in the Storm

by Mitch Mosk
Delta Will © Kira May
Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: Delta Will Explore the Concept of “Nothing Is Enough” with Depth Through Whimsy

by Ilana Kalish
Royal Oak © Mackenzie Cholowski
Features, Music, PremieresJuly 16, 2018<July 16, 2018

EP Premiere: Craft and Making Believe Go Hand-In-Hand in Royal Oak’s ‘Pretend’

by Lindsay Call
RIVVRS © David Cano
Music, PremieresJuly 16, 2018<July 16, 2018

Premiere: An Open, Restorative Anthem with RIVVRS’ “Out of Focus”

by Adrian Vargas
Dreamers Launch EP
Music, ReviewsJuly 13, 2018<July 13, 2018

Review: Genre-Bending DREAMERS Take Off with ‘LAUNCH’ EP

by Kelly Wynne
Unknown Mortal Orchestra © Neil Krug
Columns, Music, Today's SongJuly 13, 2018<July 16, 2018

Today’s Song: The Honey-Glazed Ode of Unknown Mortal Orchestra’s “Hunnybee”

by James Meadows
Caroline Kole © 2018
Music, PremieresJuly 13, 2018<July 13, 2018

Premiere: Caroline Kole Asks “What If” with Electro-Pop Brilliance and Bravado

by Mitch Mosk
The Belle Sounds © Barbara Frigiere
Music, Music Videos, PremieresJuly 13, 2018<July 13, 2018

Premiere: The Belle Sounds’ Provocative “Like a Villain” Gets Intimate with Anxiety

by Mitch Mosk
HANNIE © 2018
Debut, Features, Interviews, MusicJuly 13, 2018<July 13, 2018

Feature: Get Hyped on HANNIE’s Euphoric “Low Key”

by Atwood Magazine Staff
Parrot Dream © 2018
Music, PremieresJuly 12, 2018<July 12, 2018

Premiere: Lush Wonder in Parrot Dream’s “Light Goes (In Mines)”

by Mitch Mosk
Features, Interviews, MusicJuly 12, 2018<July 12, 2018

Transparent Feeling in True Form: A Conversation with Spirit Haus

by Maggie McHale
Posts pagination
1 … 581 582 583 584 585 … 737

Brand New

  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning

:: discover something new ::

Recent Posts

  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services