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Foxing © Hayden Molinarolo
Columns, Music, Today's SongAugust 2, 2018<August 2, 2018

A Dog, A Darling, A Pool Boy: The Desperation and Vulnerability of Foxing’s “Nearer My God”

by Sara Santora
Falcon Jane © Dominique van Olm
Features, Music, PremieresAugust 2, 2018<August 2, 2018

Album Premiere: Falcon Jane’s Sweet, Strange Gem ‘Feelin’ Freaky’

by Mariel Fechik
Jade Bird © Kate Moross
Features, Music, Reviews, This Just InAugust 1, 2018<August 6, 2018

This Just In: Jade Bird Explodes with Raw, Relentless Hit Single “Uh Huh”

by Mitch Mosk
Adult Karate © 2018
Debut, Features, Music, PremieresAugust 1, 2018<August 1, 2018

Album Premiere: Adult Karate’s Debut Is a Dark Dance Down ‘Del Mar’

by Mitch Mosk
Bad Bad Hats © Zoe Prinds-Flash
Features, Music, ReviewsAugust 1, 2018<August 1, 2018

Feature: Bad Bad Hats Will Impress Loyal Listeners & New Fans with ‘Lightning Round’

by Kelly Wynne
Happy. © 2018
Music, Music Videos, PremieresAugust 1, 2018<August 1, 2018

Premiere: Happy.’s “I Call Shotgun” Video Is a Front-Seat Perspective on New Relationships

by Ilana Kalish
Charlie Belle © 2018
Music, PremieresAugust 1, 2018<August 1, 2018

Premiere: Charlie Belle Turn Their “Growing Pains” into Indie Pop Perfection

by Luke Pettican
Lizzie Weber © Tony Hammons
Music, PremieresJuly 31, 2018<August 1, 2018

Premiere: The Intimate & Poignant Folk Poetry of Lizzie Weber’s “Catcher”

by Mitch Mosk
DYSPLAY © 2018
Music, Music Videos, PremieresJuly 31, 2018<July 31, 2018

Premiere: Dysplay’s “Long Way to Go” Evokes Raw Passion with Stunning Sound

by Mitch Mosk
Brennan Villines © 2018
Music, PremieresJuly 31, 2018<July 31, 2018

Premiere: The Perseverant Pop/Soul Bounce of Brennan Villines’ “Better Than We’ve Ever Been”

by Mitch Mosk
Definitely Band - Curling
Features, Music, PremieresJuly 31, 2018<July 31, 2018

Album Premiere: Curling Stretch Indie Rock Across Decades on ‘Definitely Band’

by James Crowley
Sad Sad Summer - Kelsy Karter still
Music, Reviews, This Just InJuly 31, 2018<July 31, 2018

This Just In: The Intoxicating Heat of Kelsy Karter’s Anthem “Sad Sad Summer”

by Mitch Mosk
Frank Turner © Ben Morse
Features, Interviews, MusicJuly 31, 2018<August 16, 2018

Interview with Frank Turner: Old-Fashioned Punk Rock Provocation

by Atwood Magazine Staff
Orla Gartland © 2018
Columns, Music, Today's SongJuly 30, 2018<July 30, 2018

Today’s Song: Orla Gartland’s Refreshingly Relatable Alt-Pop Anthem “I Go Crazy”

by Luke Pettican
Atwood Magazine's Weekly Roundup 07-27-2018
Columns, Features, Music, Weekly RoundupJuly 28, 2018<July 30, 2018

Atwood Magazine’s Weekly Roundup: July 27, 2018

by Atwood Magazine Staff
Posts pagination
1 … 578 579 580 581 582 … 737

Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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