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Sasha Sloan © Nicolita Bradley
Debut, Features, Interviews, MusicJuly 9, 2018<July 18, 2018

The Voice of Our Generation: An Interview with Sasha Sloan

by Ethan Germann
Scott Quinn © 2018
Columns, Music, Today's SongJuly 9, 2018<July 9, 2018

Today’s Song: Scott Quinn’s “Fallible Creatures” Captures Our Beautiful Imperfection

by Luke Pettican
Summer - Wild
Music, PremieresJuly 9, 2018<July 9, 2018

Premiere: Bask in the Heat of WILD’s Euphoric “Summer” Anthem

by Mitch Mosk
DENNY © 2018
Music, Music Videos, PremieresJuly 6, 2018<July 6, 2018

Premiere: “She Gonna Eat Your Heart Out,” DENNY’s Heavy-Hearted Lullaby for the Internet

by Mitch Mosk
Lindsay Clark © Myles Katherine
Music, PremieresJuly 5, 2018<July 5, 2018

Premiere: Rediscovering Life’s Beauty in Lindsay Clark’s “Little Dove”

by Mitch Mosk
Dreaming of Better Days - Gizmo Varillas
Music, PremieresJuly 5, 2018<July 9, 2018

Album Premiere: Gizmo Varillas Shines a Light in ‘Dreaming of Better Days’

by Mitch Mosk
Mariah Hill © 2018
Features, Interviews, MusicJuly 4, 2018<July 18, 2018

Being Present and Making It Unusual: A Conversation with Marian Hill

by Maggie McHale
Havana Nights - Benedikt © Smina Bluth
Music, Music Videos, PremieresJuly 4, 2018<July 4, 2018

Premiere: Indulge in Benedikt’s Hypnotic “Havana Nights”

by Mitch Mosk
Estes © Austin McElveen
Debut, Music, PremieresJuly 3, 2018<July 3, 2018

EP Premiere: Estes Finds His Voice & Direction in Heartfelt Debut ‘July’

by Mitch Mosk
Aaron Taos © Dave Krugman
Music, Music Videos, PremieresJuly 3, 2018<July 3, 2018

Premiere: Supernatural Love in Aaron Taos’ Spellbinding ‘Voodoo’

by Mitch Mosk
Joseph Lawrence & The Garden © 2018
Columns, Debut, Music, Today's SongJuly 3, 2018<July 2, 2018

Today’s Song: Joseph Lawrence & The Garden Enthrall with Hauntingly Beautiful “Eclipse”

by Luke Pettican
Atwood Magazine's Weekly Roundup 06-29-2018
Columns, Features, Music, Weekly RoundupJune 29, 2018<June 29, 2018

Atwood Magazine’s Weekly Roundup: June 29, 2018

by Atwood Magazine Staff
Curse League © Scott Ohashi
Music, ReviewsJune 29, 2018<June 29, 2018

Review: The Bait Is Live, Join the Curse League in Their Latest Album

by Connor Bush
Atwood Magazine's 2018 Albums of the Year, Part 1
Features, Music, News, ReviewsJune 29, 2018<July 4, 2018

Atwood Magazine’s Best Albums of 2018… Part 1

by Atwood Magazine Staff
Olivia O'Brien x Finneas
Features, Interviews, MusicJune 29, 2018<July 18, 2018

A Conversation Between FINNEAS and Olivia O’Brien: On Beyoncé and Songwriting, Mostly.

by Nicole Almeida
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Brand New

  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning

:: discover something new ::

Recent Posts

  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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