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Elle Belle © Casey Curry
Features, Music, PremieresJune 27, 2018<June 27, 2018

Album Premiere: Elle Belle’s ‘No Signal’ Is a Poignant Breakup with America

by Mitch Mosk
Luca Brasi © Kane Hibberd
Music, ReviewsJune 27, 2018<June 27, 2018

Review: Accepting Loss & Bittersweet Memories in Luca Brasi’s ‘Stay’

by James Meadows
MILKK © 2018
Features, Interviews, MusicJune 27, 2018<May 15, 2024

Relationships, Honesty, and Love: An Interview with MILKK

by Sara Santora
Barkley © Catie Laffoon
Music, Music Videos, PremieresJune 27, 2018<June 27, 2018

Premiere: Bask in the Fleeting Romance of BARKLEY’s Magical “3AM”

by Mitch Mosk
Ghoster Art - Goodfight
Music, PremieresJune 27, 2018<June 29, 2018

Premiere: Acid Jazz Fever Dreams in Goodfight’s ‘Ghoster EP’

by Mitch Mosk
wetter USA © Kaytee Callahan
Music, PremieresJune 26, 2018<June 26, 2018

Premiere: The Raw & Vulnerable Power of wetter’s “Truth Song”

by Mitch Mosk
Nasir - Nas 7.1
Music, Our Take, ReviewsJune 26, 2018<January 19, 2022

Our Take: Nas’ NASIR Proves a Palatable Rough Draft

by Josh Weiner
Jae Jin © Crystal Kim
Features, Music, PremieresJune 26, 2018<June 26, 2018

Album Premiere: Jae Jin’s Beautiful ‘Letters and Drinks’ Balances Love & Suffering

by Mitch Mosk
Bad Western © 2018
Music, PremieresJune 26, 2018<June 26, 2018

Premiere: Hopeful Endings in Bad Western’s Heartfelt “Sainte Something”

by Mitch Mosk
MONA © 2018
Features, Interviews, MusicJune 26, 2018<July 18, 2018

The Most Human Band: An Interview with Mona

by Mitch Mosk
The Saxophones © Avery Bibeau
Debut, Music, Our Take, ReviewsJune 25, 2018<June 25, 2018

Our Take: Intimate Storytelling with The Saxophones’ Ethereal Debut ‘Songs of The Saxophones’

by Adrian Vargas
Day & Dark by Nik Freitas
Features, Music, Premieres, ReviewsJune 25, 2018<June 25, 2018

Album Premiere: Nik Freitas’ ‘Day & Dark’ Explores Life in These Turbulent Times

by Mitch Mosk
Hippo Campus © Brit O’Brien
Columns, Music, Today's SongJune 25, 2018<June 25, 2018

Today’s Song: Hippo Campus Take an Emotional Journey on “Passenger”

by Natalie Harmsen
Young - Charlotte Lawrence
Debut, Features, Music, ReviewsJune 22, 2018<June 22, 2018

Review: The Adolescent Energy of Charlotte Lawrence’s Debut EP ‘Young’

by Luke Pettican
Harp Samuels © Matthew Higham
Music, PremieresJune 22, 2018<June 22, 2018

Premiere: Dwell in the Safe Space of Harp Samuels’ Beautiful “Breathe”

by Mitch Mosk
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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