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Hayley Sabella © Sasha Pedro
Music, Premieres, ReviewsFebruary 22, 2018<February 22, 2018

Premiere: Exposing Raw Vulnerability in Hayley Sabella’s “Love Is a Chisel”

by Mitch Mosk
High Up © Andy Lachance
Debut, Features, Music, Our Take, Premieres, ReviewsFebruary 22, 2018<March 6, 2018

Album Premiere: High Up Radiate with Energy & Power on Debut ‘You Are Here’

by Mitch Mosk
Nightshifts © Jack Fowler
Music, PremieresFebruary 22, 2018<February 22, 2018

Premiere: Wash Away with Nightshifts’ Lovelorn “Next to Me”

by Mitch Mosk
The Fontaines © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: “Between Us,” The Fontaines Have Mastered the Art of Loveless Storytelling

by Maggie McHale
COIN © Hunter Airheart
Features, Interviews, MusicFebruary 21, 2018<March 6, 2018

Special, Unique, and Dynamic: A Conversation with COIN

by Mitch Mosk
TØMA © Félix De Portu
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: TØMA Embrace the Moment in Bubbly “Book of Yesterday”

by Mitch Mosk
Our Girl © Phil Smithies
Features, Music, Reviews, This Just InFebruary 21, 2018<February 21, 2018

This Just In: Witness the Start of Something Great on Our Girl’s “Our Girl”

by Nicole Almeida
Of Good Nature © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: Passion & Longing Fill Of Good Nature’s “Take Me Anywhere” with Warmth

by Mitch Mosk
BROCKHAMPTON © 2017
Columns, Music, Music You Should KnowFebruary 21, 2018<February 20, 2018

Reflecting on BROCKHAMPTON’s 2017 Saturation and the Influential “GUMMY”

by Danny Dyer
Dave C. Rupert © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: Dave C. Rupert’s “Cold” Is a Tale of Mistakes & Apologies

by Kelly McCafferty Dorogy
flasound © 2016
Music, ReviewsFebruary 20, 2018<February 20, 2018

Review: flatsound’s “hummingbird” EP Offers the Barest Glimpse of Mitch Welling

by Urooj Ali Rizvi
Blake Brown & the American Dust Choir © Glenn Ross
Debut, Music, PremieresFebruary 20, 2018<August 24, 2022

Premiere: Chasing Dreams on Blake Brown & the American Dust Choir’s “Between the Lines”

by Monica Mellon
SPELLES © Zach Bell
Columns, Music, Today's SongFebruary 20, 2018<March 23, 2018

Today’s Song: SPELLES Ignites on Smoldering “Light Me on Fire”

by Ilana Kalish
Eves Karydas © Claire Gillen
Features, Interviews, MusicFebruary 19, 2018<March 6, 2018

On Staying Authentic and Prawn Tacos: A Conversation with Eves Karydas

by Lindsay Call
The Bonnevilles © Svein-Roger Johnsen
Music, PremieresFebruary 19, 2018<February 19, 2018

Premiere: The Bonnevilles Fuel Rock with Young Blood on “Long Runs the Fox”

by James Crowley
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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