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Kiss Like A Woman - MONA
Features, Music, Music Videos, Reviews, This Just InFebruary 14, 2018<February 14, 2018

This Just In: Celebrate Your Love with MONA’s Impassioned “Kiss Like a Woman”

by Mitch Mosk
Harry Pane Beautiful Life
Features, Music, PremieresFebruary 14, 2018<February 15, 2018

Premiere: The Haunting Embrace of Harry Pane’s “Beautiful Life”

by Mitch Mosk
Music, PlaylistsFebruary 14, 2018<February 16, 2018

Valentine’s Day Playlists: With and Without Love, Atwood Magazine

by Atwood Magazine Staff
Living a Lie - Royal Canoe
Music, Music Videos, PremieresFebruary 14, 2018<February 14, 2018

Video Premiere: Royal Canoe’s “Living a Lie” Explores Intimacy & Taboo Desire

by Mitch Mosk
Tyler Sjostrom © Kevin J. Rose
Features, Music, PremieresFebruary 14, 2018<February 14, 2018

Premiere: Tyler Sjöström Dwells in the Throes of Love on “I Don’t Know You Don’t Know”

by Mitch Mosk
Beautiful People Will Ruin Your Life - The Wombats album art
Features, Music, Reviews, RoundtableFebruary 14, 2018<June 29, 2024

Roundtable Discussion: A Review of The Wombats’ ‘Beautiful People Will Ruin Your Life’

by Atwood Magazine Staff
MILKK © Ryan Smallhands
Columns, Music, Today's SongFebruary 14, 2018<August 21, 2023

Today’s Song: MILKK’s New Track Is Cool as Ice and Sweet as Sugar

by Sara Santora
More Giraffes © Jasmine Safaeian
Columns, Debut, Music, Today's SongFebruary 13, 2018<February 13, 2018

Today’s Song: Chill Out to More Giraffes’ Euphoric Debut Single “Basement”

by Mitch Mosk
Natti Vogel © 2018
Music, ReviewsFebruary 13, 2018<April 26, 2018

Review: Natti Vogel Dissects Modern Relationships on ‘Serving Body’ EP

by James Crowley
Nadia Kazmi © Krisanne Johnson
Music, Music Videos, PremieresFebruary 13, 2018<February 13, 2018

Video Premiere: Nadia Kazmi’s Intimately Dark “Like a Cat”

by Mitch Mosk
Nina Nesbitt © Julia Underwood, "Somebody Special
Features, Interviews, MusicFebruary 13, 2018<March 6, 2018

Making Pop Personal: A Conversation with Nina Nesbitt

by Baylee Less
Arms Akimbo © 2018
Music, PremieresFebruary 13, 2018<February 13, 2018

Premiere: Arms Akimbo Ignite with Fiery Grace on “Seven Mirrors”

by Mitch Mosk
Derrival © AntiFragile Music
Debut, Features, Music, PremieresFebruary 13, 2018<February 16, 2018

Album Premiere: Energy & Emotion Swell on Derrival’s Dynamic Debut

by Mitch Mosk
Belle of the Fall © Mike Marques
Music, PremieresFebruary 12, 2018<February 12, 2018

Premiere: “Rise Up” with Belle of the Fall’s Uplifting Folk Beauty

by Mitch Mosk
Ruins - First Aid Kit
Features, Music, ReviewsFebruary 12, 2018<February 16, 2018

Review: First Aid Kit’s Ruins, Calling Our Hearts Home to Heal

by Ilana Kalish
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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