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Lake Jons © 2017
Debut, Features, Music, Our Take, ReviewsJanuary 23, 2018<April 12, 2019

Our Take: Lake Jons Turn Isolation into Connection in Emotive & Timeless Debut

by Mitch Mosk
Karen Souza © 2018
Columns, Music, Today's SongJanuary 23, 2018<February 9, 2018

Today’s Song: Karen Souza Is No One-Trick Vixen in “You Got That Something”

by Ilana Kalish
City of Union © 2018
Music, PremieresJanuary 22, 2018<January 22, 2018

EP Premiere: ‘Birds of Paradise,’ City of Union’s 4-Sided Emotional Tapestry

by Mitch Mosk
You or Nothing - FERGUS
Debut, Music, Music Videos, PremieresJanuary 22, 2018<January 22, 2018

Video Premiere: A Heartfelt Surrender in FERGUS’ Stunning Debut “You or Nothing”

by Mitch Mosk
"Papercut" screenshot © Tokyo Taboo
Music, Music Videos, PremieresJanuary 22, 2018<January 22, 2018

Video Premiere: Tokyo Taboo Get Bloody in “Papercut”

by Lindsay Call
Columns, Music, Today's SongJanuary 22, 2018<January 22, 2018

Today’s Song: Titus Andronicus Shoot for a Greater Ambition on “Number One (In New York)”

by James Crowley
Columns, Debut, Music, Music You Should Know, ReviewsJanuary 19, 2018<January 19, 2018

Music You Should Know: Infectious Rock & Complicated Relationships on Alex Lahey’s Debut ‘I Love You Like a Brother’

by Nicole Almeida
Kailee Morgue © Catie Laffoon
Debut, Features, Interviews, Music, ReviewsJanuary 19, 2018<January 31, 2018

Dark Spells & Light Dreams: A Conversation with Kailee Morgue

by Mitch Mosk
Atwood Magazine's Weekly Roundup 1-19-2018
Columns, Music, Weekly RoundupJanuary 19, 2018<January 23, 2018

Atwood Magazine’s Weekly Roundup: January 19, 2018

by Atwood Magazine Staff
The Minnesota Child © 2018
Music, PremieresJanuary 19, 2018<January 19, 2018

Premiere: The Minnesota Child Lace Hope & Resilience into “Stay with Me”

by Mitch Mosk
The 1 Class © 2018
Music, PremieresJanuary 19, 2018<January 19, 2018

Premiere: The 1 Class Dare You to Think in “How Real Men Look”

by Mitch Mosk
Watts' Weekend Picks 2018-01-19
Columns, Music, Playlists, Watts' Weekend PicksJanuary 19, 2018<January 19, 2018

Watts’ Weekend Picks: Noah Kahan, Kali Uchis & More for Your Lifestyle

by Watts
Grace Basement © Corey Woodruff
Music, PremieresJanuary 18, 2018<January 18, 2018

Premiere: Grace Basement’s “Summertime Is Coming” Shines Warmth Through Sorrow

by Mitch Mosk
Kayobe © 2018
Debut, Features, Music, PremieresJanuary 18, 2018<January 18, 2018

EP Premiere: Kayobe Unveils Debut ‘Hidden’ with Nuance & Grace

by Mitch Mosk
HARDCASTLE © Caleigh Wells
Music, PremieresJanuary 18, 2018<January 18, 2018

Premiere: The Pulsing, Heavy Warmth of HARDCASTLE’s “What You Want”

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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