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Drew Barrymore - SZA still
Columns, Music, Today's SongJanuary 18, 2018<January 17, 2018

Today’s Song: SZA’s “Drew Barrymore” Tackles Vulnerability with Feminine Confidence

by Kelly Wynne
Hurt Somebody - Noah Kahan
Debut, Music, ReviewsJanuary 17, 2018<January 17, 2018

EP Review: Noah Kahan’s ‘Hurt Somebody’ Triumphs with Heartache & Doubt

by Mitch Mosk
JJ Adrian © Leviosa Minds Photography
Music, PremieresJanuary 17, 2018<January 17, 2018

Premiere: JJ Adrian Redefines Himself with R&B Sensibilities of “Tell Me”

by Brandon Payano
Camila Cabello © 2018
Debut, Features, Music, Our Take, ReviewsJanuary 17, 2018<January 17, 2018

Camila Cabello’s Raw, Vulnerable & Provocative Debut ‘Camila’: A Track-by-Track Review

by Kevin Young
War Stories - Unwoman
Features, Music, PremieresJanuary 17, 2018<January 17, 2018

Album Premiere: Unwoman Wages ‘War Stories’ with Feminine Fury

by Mitch Mosk
Stuck with Me - The Neighbourhood
Columns, Music, Today's SongJanuary 17, 2018<January 17, 2018

Today’s Song: The Neighbourhood Stay Solemn with “Stuck with Me”

by Natalie Harmsen
The Fleeting Ends © 2018
Debut, Music, PremieresJanuary 16, 2018<January 17, 2018

Premiere: The Fleeting Ends Unleash “20 Something” with Youthful Passion & Nostalgic Fury

by Mitch Mosk
Damen Easton © 2018
Music, PremieresJanuary 16, 2018<January 16, 2018

Premiere: Damen Easton Debuts “Other Side of the Glass” with Love & Isolation

by Mitch Mosk
SLØTFACE © Jonathan Vivaas Kise
Columns, Concert Conversations, Concerts, Music, ReviewsJanuary 16, 2018<January 16, 2018

LIVE: “Scandinavian Enthusiasm” & More — Sløtface at The Echo, LA

by Lindsay Call
POST- Jeff Rosenstock art
Features, Music, ReviewsJanuary 16, 2018<January 16, 2018

Review: Jeff Rosenstock Returns to Straightforward Punk Roots on POST-

by James Crowley
Somebody Special - Nina Nesbitt art
Music, This Just InJanuary 16, 2018<January 16, 2018

This Just In: Nina Nesbitt Reminds Us Why She’s “Somebody Special”

by Baylee Less
Jeff Rosenstock 2017 live in NYC
Columns, Concert Conversations, Music, ReviewsJanuary 12, 2018<January 12, 2018

LIVE: Jeff Rosenstock Brings the Dread and Love of Worry to Brooklyn

by James Crowley
Atwood Magazine's Weekly Roundup 1-12-2018
Columns, Features, Music, Weekly RoundupJanuary 12, 2018<January 12, 2018

Atwood Magazine’s Weekly Roundup: January 12, 2018

by Atwood Magazine Staff
Blue Madonna - BØRNS art
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: BØRNS Soars on Dreamy ‘Blue Madonna’

by Mitch Mosk
When I Was Young EP - MØ
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: Dissecting MØ’s Heart-Tugging EP ‘When I Was Young’

by Ethan Germann
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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