• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Growing Pains - Tiny Blue Ghost
Debut, Music, ReviewsJanuary 30, 2018<January 30, 2018

Review: Tiny Blue Ghost Bring a Well-Rounded, Mature Approach to ‘Growing Pains’

by James Crowley
free cake for every creature © 2018
Columns, Music, Today's SongJanuary 30, 2018<March 2, 2025

Today’s Song: Free Cake for Every Creature’s “All You Gotta Be When You’re 23 Is Yourself” Reminds Us to Slow Down

by Carolyn Fasone
Panteon © 2018
Music, Music Videos, PremieresJanuary 29, 2018<March 27, 2018

Video Premiere: Surreal, Real Connection in Panteon’s “January Keeper”

by Mitch Mosk
Welcome Center © 2017
Debut, Music, PremieresJanuary 29, 2018<May 29, 2018

Premiere: Welcome Center Blur Drugs & Pain in “Altoids”

by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 29, 2018<January 29, 2018

A Lot of Debauchery: A Conversation with Rad Horror

by Maggie McHale
Ought © Laura Harvey
Columns, Music, Today's SongJanuary 29, 2018<January 29, 2018

Today’s Song: Ought Import International Confusion with “Disgraced in America”

by James Crowley
Mike Shinoda - Over Again
Music, ReviewsJanuary 26, 2018<January 26, 2018

EP Review: Linkin Park’s Mike Shinoda Offers a Window into Grieving Loss of Chester Bennington

by James Crowley
Atwood Magazine's Weekly Roundup 1-26-2018
Columns, Features, Music, Weekly RoundupJanuary 26, 2018<January 26, 2018

Atwood Magazine’s Weekly Roundup: January 26, 2018

by Atwood Magazine Staff
Low Swans © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: Vibing Out to Low Swans’ Kind & Dangerous “Ostfront”

by Mitch Mosk
Watts' Weekend Picks 2018-01-26
Columns, Music, Playlists, Watts' Weekend PicksJanuary 26, 2018<January 26, 2018

Watts’ Weekend Picks: George Ezra, Rudimental & More for Your Lifestyle

by Watts
The Velvoids © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: A Mystic Intimacy in The Velvoids’ “Absolutely Nothing”

by Mitch Mosk
Dream Wife © Nicole Almeida
Debut, Features, Interviews, MusicJanuary 26, 2018<February 10, 2018

On Change, Female Empowerment, and Rock Music: A Conversation with Dream Wife

by Nicole Almeida
Tiffany Jade © Tyler Roi
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: The Enticing Nature of Tiffany Jade’s “It’s Fine”

by Shayna Chabrow
War with Shadows - The Naked Sun
Features, Music, PremieresJanuary 26, 2018<January 26, 2018

Album Premiere: The Naked Sun Debut ‘War with Shadows’ with Raw, Heartfelt Rock

by Mitch Mosk
EDEN © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 25, 2018<January 26, 2018

Cinematic Nuance & Pop Deconstruction: Exploring ‘vertigo’ with EDEN

by Mitch Mosk
Posts pagination
1 … 592 593 594 595 596 … 712

Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services