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Bruno Mars 'The Romantic' © John V. Esparza 7.3
Music, Our Take, ReviewsMarch 4, 2026<March 4, 2026

Our Take: Bruno Mars Delivers Charming, Slow-Burning Fun on Fourth Solo Album ‘The Romantic’

by Josh Weiner
Mia Nicolai "Nothing Compares to This Feeling" © Joelle Grace
Interviews, Music, Music Videos, PremieresMarch 4, 2026<March 4, 2026

“You Fall Back in Love With Life”: Mia Nicolai Bottles Joy, Rediscovery, & Human Connection on “Nothing Compares to This Feeling,” a Euphoric Pop Reverie

by Mitch Mosk
Carter Vail "Ants in My Room" © Makayla Keasler
Interviews, Music, Today's SongMarch 4, 2026<March 4, 2026

“Yes, It’s About Ants”: Carter Vail Turns Paranoia, Loneliness, and Absurdity into an Indie Pop Earworm on “Ants in My Room”

by Mitch Mosk
Emory Duncan © Breigha Marguerite Duncan
Music, PremieresMarch 3, 2026<March 3, 2026

“Your Light Leaking In Pulled the Teeth Out My Fight”: Emory Duncan Follows the Warm Light of Love Toward Home on “Halifax,” a Smoldering Folk Reverie

by Mitch Mosk
Dash Hammerstein © 2026
Interviews, MusicMarch 3, 2026<March 3, 2026

“Schrodinger’s Hammer”: Dash Hammerstein Offers a Gripping Exploration of Hesitation and Heart in “The Hammer”

by Chloe Robinson
Claire Rosinkranz "Chronic" © Sabra Binder
Columns, Music, Today's SongMarch 3, 2026<March 3, 2026

“Easy, Twisted, Comfortable”: Claire Rosinkranz Turns Chronic Illness into a Beautifully Raw Reckoning on “Chronic”

by Mitch Mosk
The Night Green Side of It - R.A.P. Ferreira & Kenny Segal
Music, ReviewsMarch 2, 2026<March 2, 2026

‘The Night Green Side of It’: R.A.P. Ferreira and Kenny Segal Strike Gold Once Again on Another High-Concept Hip-Hop Collaboration

by Adam Davidson
Ritt Momney 'BASE' © Sam Angeletti
Interviews, MusicMarch 2, 2026<March 2, 2026

“I’ve Gotten Kind of Spiritual About Music”: How Ritt Momney Found His Musical Center on ‘BASE’

by Aileen Goos
Reaper | image © Vyacheslav Bobin, Pexels
EssaysMarch 2, 2026<March 2, 2026

Reaper: A Short Story

by Jack Batt
Robert Lester Folsom © Maren McGuire
Columns, Music, Today's SongMarch 2, 2026<March 2, 2026

Today’s Song: Take a Trip Down Memory Lane with Robert Lester Folsom’s “I Don’t Know”

by Lauren Hicks
Bea Elmy Martin "Anouk" © Harry Hibbert
Interviews, Music, Today's SongMarch 1, 2026<March 1, 2026

The Sacred Space Between Friends: Bea Elmy Martin Opens Up About Friendship in “Anouk”

by Joe Beer
Endearments © Rita Iovine
Interviews, Music, Today's SongFebruary 27, 2026<February 27, 2026

“You’re in Love, But You’re Not Happy”: Endearments Soundtrack Romantic Disillusionment in Shimmering Detail on “Real Deal” & Debut LP ‘An Always Open Door’

by Mitch Mosk
S C A P E G.O.A.T. - Ria Rua
Debut, Interviews, MusicFebruary 26, 2026<February 26, 2026

“When Lies Are Popular, Telling the Truth Is a Revolutionary Act”: Ria Rua Channels Anger into Industrial Alt-Rock with Debut ‘S C A P E G.O.A.T.’

by Aileen Goos
Bad Tiger's Yasi Lowy © 2026
Interviews, Music, Today's SongFebruary 26, 2026<February 26, 2026

“A Brief Break in the Clouds”: Bad Tiger Finds Grace in Grief on “Do It Right,” a Clear-Eyed Folk Mantra

by Mitch Mosk
SAVNT of Ghost Hounds © 2026
Essays, MusicFebruary 26, 2026<February 26, 2026

“100 Years of Black History, A Lifetime of Musical Influence”: An Essay in Honor of Black History Month by SAVNT of Ghost Hounds

by Guest Writer
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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