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Ber "Good, Real" © Tom Thornton
Interviews, Music, Today's SongNovember 14, 2025<November 14, 2025

“It’s a Gold Rush”: Ber Falls Hard & Fast on “Good, Real,” Her Shiny, Sun-Soaked Love Song

by Mitch Mosk
Vie - Doja Cat
Features, Music, Reviews, RoundtableNovember 13, 2025<November 13, 2025

Roundtable Discussion: A Review of Doja Cat’s ‘Vie’

by Atwood Magazine Staff
Tomás Tomás © Jess Farran
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“The Sweetest of Sounds”: Tomás Tomás’ “Brought It Down” Is a Smoky, Soul-Stirring Reverie of Memory, Longing, & Midnight Drift

by Mitch Mosk
Sophia Hansen-Knarhoi © Milda Ambrozaite
Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“A Moment of Rage”: Sophia Hansen-Knarhoi Unleashes a Haunting, Bruised & Beautiful Storm in “All the things that aren’t you”

by Mitch Mosk
JULESY © Charlie Hyman
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“I Know You Know Me Now”: Brooklyn’s JULESY Ignites Youthful Chaos & Emotional Reckoning in “Blue Lie,” a Dreamy, Cinematic Standout Off Debut ‘Flip the Bed’

by Mitch Mosk
ANT ENOCH "9INE to 5IVE" © Shari Annabell
Interviews, Music, Today's SongNovember 13, 2025<November 12, 2025

“The Space Between the Club and the Confessional”: ANT ENOCH Reckons with Self-Worth & Freedom on “9INE to 5IVE,” a Cinematic Fever Dream

by Mitch Mosk
Kita Alexander © Rob Tennent
Interviews, MusicNovember 12, 2025<November 12, 2025

“It’s Messy, It’s Fun, & It’s Alive”: Kita Alexander Channels Late-Night Euphoria in “I Don’t Wanna Go Home,” a Carefree, Feel-Good Pop Anthem

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 12, 2025
Columns, Features, Music, Weekly RoundupNovember 12, 2025<November 12, 2025

Atwood Magazine’s Weekly Roundup: November 12, 2025

by Atwood Magazine Staff
Halley Neal © Kayte Darling
Interviews, MusicNovember 12, 2025<November 12, 2025

“Vulnerable & Real”: Halley Neal on Her Musical Tributes to Life-Changing Friendships

by Chloe Robinson
Hannah Jadagu at Paulie Gee’s in Brooklyn, NY on October 23, 2025 © Emilio Herce
Concerts, Events, Music, ReviewsNovember 12, 2025<November 13, 2025

Hannah Jadagu Balances Tenderness and Groove at The Wild Honey Pie Little Pizza Party

by Kayleigh Schweiker
Joe Hicks © Emilie Cotterill
Interviews, MusicNovember 12, 2025<November 12, 2025

Interview: Joe Hicks Reclaims His Music and His Life ‘Before It Gets Dark’

by Aileen Goos
ELUNIA "Strobe Lights" © Brenda Huerta Rodríguez
Columns, Music, Today's SongNovember 12, 2025<November 12, 2025

Today’s Song: ELUNIA Opens Up About Work Pressure & Exhaustion in “Strobe Lights”

by Joe Beer
X Ambassadors 'VHS(X)' © 2025
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

“A Rare Chance to Rewrite Our History”: X Ambassadors Reclaim Their Past & Redefine Their Present with ‘VHS(X),’ a Reimagining of Their Cinematic Masterpiece

by Mitch Mosk
Now, Now © Tom Thornton
Interviews, MusicNovember 11, 2025<November 11, 2025

“Unlearning, Unraveling, Undoing”: Now, Now Reach for Something Bigger on “Talk to God,” a Dark, Intimate, & All-Consuming Rebirth

by Mitch Mosk
Ax and the Hatchetmen 'So Much to Tell You' © Harry Bearows
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

Interview: Ax and the Hatchetmen’s ‘So Much to Tell You’ Turns Seven Years of Friendship, Shenanigans, & Coming-of-Age into a Defining Debut Album

by Miranda Urbanczyk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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