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Eddie Berman © 2018
Music, Music Videos, PremieresFebruary 23, 2018<February 23, 2018

Video Premiere: Eddie Berman Packs Up His Life in “My Will Be Done”

by Mitch Mosk
Watts' Weekend Picks 2018-02-23
Columns, Music, Playlists, Watts' Weekend PicksFebruary 23, 2018<February 23, 2018

Watts’ Weekend Picks: Bazzi, O.A.R. & More for Your Lifestyle

by Watts
Hayley Sabella © Sasha Pedro
Music, Premieres, ReviewsFebruary 22, 2018<February 22, 2018

Premiere: Exposing Raw Vulnerability in Hayley Sabella’s “Love Is a Chisel”

by Mitch Mosk
High Up © Andy Lachance
Debut, Features, Music, Our Take, Premieres, ReviewsFebruary 22, 2018<March 6, 2018

Album Premiere: High Up Radiate with Energy & Power on Debut ‘You Are Here’

by Mitch Mosk
Nightshifts © Jack Fowler
Music, PremieresFebruary 22, 2018<February 22, 2018

Premiere: Wash Away with Nightshifts’ Lovelorn “Next to Me”

by Mitch Mosk
The Fontaines © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: “Between Us,” The Fontaines Have Mastered the Art of Loveless Storytelling

by Maggie McHale
COIN © Hunter Airheart
Features, Interviews, MusicFebruary 21, 2018<March 6, 2018

Special, Unique, and Dynamic: A Conversation with COIN

by Mitch Mosk
TØMA © Félix De Portu
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: TØMA Embrace the Moment in Bubbly “Book of Yesterday”

by Mitch Mosk
Our Girl © Phil Smithies
Features, Music, Reviews, This Just InFebruary 21, 2018<February 21, 2018

This Just In: Witness the Start of Something Great on Our Girl’s “Our Girl”

by Nicole Almeida
Of Good Nature © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: Passion & Longing Fill Of Good Nature’s “Take Me Anywhere” with Warmth

by Mitch Mosk
BROCKHAMPTON © 2017
Columns, Music, Music You Should KnowFebruary 21, 2018<February 20, 2018

Reflecting on BROCKHAMPTON’s 2017 Saturation and the Influential “GUMMY”

by Danny Dyer
Dave C. Rupert © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: Dave C. Rupert’s “Cold” Is a Tale of Mistakes & Apologies

by Kelly McCafferty Dorogy
flasound © 2016
Music, ReviewsFebruary 20, 2018<February 20, 2018

Review: flatsound’s “hummingbird” EP Offers the Barest Glimpse of Mitch Welling

by Urooj Ali Rizvi
Blake Brown & the American Dust Choir © Glenn Ross
Debut, Music, PremieresFebruary 20, 2018<August 24, 2022

Premiere: Chasing Dreams on Blake Brown & the American Dust Choir’s “Between the Lines”

by Monica Mellon
SPELLES © Zach Bell
Columns, Music, Today's SongFebruary 20, 2018<March 23, 2018

Today’s Song: SPELLES Ignites on Smoldering “Light Me on Fire”

by Ilana Kalish
Posts pagination
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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